Tuesday, September 3, 2024

Running backs, wrongful convictions, and the Harlem of the West: an interview with Robert Justice

Kia ora and haere mai, welcome to the 236th instalment of author interview series, 9mm, which has been resurrected this year after largely going into hibernation and only occasionally emerging in 2021-2023, for a variety of personal reasons.

Thanks for reading and sharing the 9mm series, and Crime Watch in general (and my work elsewhere) over the years. I've had a lot of fun talking to some amazing crime writers and bringing their thoughts and stories to you. You can check out the full list of of past 9mm interviewees here. What a line-up. With lots more fun to come. Thanks everyone. 

If you've got a favourite crime or thriller writer who hasn't yet been part of the 9mm series, please let me know, and now I'm back on deck more fully, I'll look to make that happen for you. We've got several interviews with cool crime and thriller writers from several different countries 'already in the can' that will be published soon, so lots to look forward to in the coming weeks and months.

Today I'm very pleased to welcome to 9mm a rising star of US crime fiction, Denver author Robert Justice, whose debut novel They Can't Take Your Name was runner-up for the 2020 Eleanor Taylor Bland Award. A sequel, A Dream in the Dark, was recently published, continuing the fight of Liza Brown and Eli Stone against the scourge of wrongful convictions in a flawed criminal justice system.

Denver author Robert Justice, who
is passionate about righting the
scourge of wrongful convictions
Robert is the host of the Crime Writers of Color podcast, and works as a non-profit leader with over thirty years of leadership experience in meeting the holistic needs of people. As he says in the Author's Note to his debut, wrongful convictions are all too real in US criminal justice; conservative estimates of only 1-2% wrongful convictions may seem like an acceptable strike rate, ie 98-99% of convictions are 'safe', but with 2.5 million people in prison in the United States, that means even at the lowest estimates, there are tens of thousands of innocent people in prison! 

Robert is passionate about righting the wrongs of wrongful convictions (he notes that almost 2,500 men and women have already been exonerated in the USA through various means, totalling more than 21,000 years lost) and it is a subject that greatly impacts his crime novels. Robert donated a share of his advance and committed to giving a portion of all future proceeds to his favourite innocence project, The Korey Wise Innocence Project at the University of Colorado. He say, "The average cost to free an innocent person is enormous, and my hope is that this series of books will raise enough money that we might actually be able to say that together we had a part in somebody’s freedom."

You can read more about Robert Justice at his website, but for now he become the latest author to stare down the barrel of 9mm. 

9MM: AN INTERVIEW WITH ROBERT JUSTICE

Who is your favourite recurring crime fiction hero/detective?
I have too many favorites! How do I choose between Attica Locke’s Darren Matthews; Mosley’s Joe King Oliver; Nadine Matheson’s Inspector Anjelica Henley; or Yasmine Angoe’s, Nena Knight?

Let’s go with my most recent favorite crime fiction hero, Glory Broussard, the wonderful creation of Danielle Arceneaux. Glory is an unfiltered, recently divorced, Black woman of a certain age who investigates murders while keeping tabs on her side hustle of as a bookie. What’s not to love?

Dallas Cowboys running back terrorised NFL
defences during his Hall of Fame career 
What was the very first book you remember reading and really loving, and why?
In my youth, I stumbled upon the biography of Hall of Fame American football player Tony Dorsett and was transfixed. For the next few years, my single-minded goal in life was to play in the NFL, but then I read the biography of Olympian Eric Liddell, and running became my ultimate love. And then I read…

Before your debut crime novel, what else had you written (if anything) - unpublished manuscripts, short stories, articles?
The decade prior to my debut novel, I wrote and published four non-fiction books on a variety of topics, including jazz. When I turned to writing novels, that’s also when I went with my pseudonym—Robert Justice - so as not to confuse my readers. My name is Robert and now I write about justice.

Outside of writing and writing-related activities (book events, publicity), what do you really like to do, leisure and activity-wise?
I’m going to have to ignore the parameters of the question and go with writing! I work a demanding job in the non-profit sector meeting people’s basic human needs. It’s rewarding but can also take an emotional toll. Writing (and reading) allows me to rest from the demands of my day-to-day life, as I create new worlds. When I go on vacation, I rarely take a break from writing because it’s not work—writing is the way I unwind!

What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
Five Points is the historic heart of Denver’s Black community and the setting for my Wrongful Conviction Novels. Before gentrification set in, this neighborhood was where African-Americans in the Mile-High City lived, shopped, attended church and found their doctors, lawyers, barbers and beauticians. In the center of Five Points is The Rossonian, a historic jazz club where all the greats played on their way through town. If you ever make it to Denver, be sure to swing through Five Points—the Harlem of the West.

If your life was a movie, which actor could you see playing you?
Jeffrey Wright, for sure! In American Fiction, he portrayed a middle-age Black fiction writer with a salt and pepper beard. It wouldn’t be much of a leap for him to play me in a movie, though he’d have to add another two inches to his beard.

Of your writings, which is your favourite or a bit special to you for some particular reason, and why?
My latest novel, A DREAM IN THE DARK, feels pretty special. I never saw myself as a fiction writer and at some level the success of my debut, THEY CAN'T TAKE YOUR NAME, felt like a fluke. But now with the release of my second Wrongful Conviction Novel I’m starting to believe I can do this.

What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
On the day when my debut, THEY CAN'T TAKE YOUR NAME, launched, I went to my local bookstore and to my surprise, my book was at the front of the store on the New Release shelf—face out! I spent the next couple of hours driving to other stores and taking pictures of my book on their shelves. That night I scrolled through my gallery with while sipping my favorite rum.

What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
A man arrived late to my author talk, cradling a copy of my debut. As I spoke, tears streamed down his cheeks while he continued to hug my book close to his chest. At the signing table afterwards, he shared his wife had recently passed away and that my character, Eli (a man struggling to survive the death of his wife) was helping him face his own grief. We hugged and have kept in touch.


Kia ora, Robert, we appreciate you having a chat with Crime Watch. 

Have you read Robert Justice's wrongful conviction novels? Do you like how crime novels can explore real-life issues through the prism of page-turning fictional tales? Do you have any favourites of this ilk?

Monday, September 2, 2024

The Bookshop Detectives reflect on 2024 Ngaios

Last Wednesday, the 2024 Ngaio Marsh Awards winners were announced as part of a fantastic event celebrating all this year's finalists, across three categories (Best Kids/YA, Best First Novel, Best Novel) at the WORD Christchurch Festival. It was a prime setting for a crime and mystery denouement: a full house of witnesses and suspects (finalists) gathered in the library (Turanga), to listen as our sleuthing duo The Bookshop Detectives sifted the clues, avoided the red herrings, and interrogated some of the prime suspects who were there in person, before unmasking the culprits (winners). 

Now in the first of a series of chats for a new podcast on books and bookselling, Gareth and Louise Ward aka The Bookshop Detectives dissect their experience as MCs of this year's Ngaio Marsh Awards, held during WORD Christchurch. As they say, "Spoiler - it was bloody awesome! Do please spend almost 10 of your earth minutes listening to our erudite conversation about the crime fiction taking Aotearoa by storm. Thanks!#yeahnoir"

Bookshop Detectives Louise and Gareth Ward (right) interrogate Claire Baylis, a prime
suspect for both Best First Novel and Best Novel for her devastating courtroom debut DICE


Wednesday, August 28, 2024

The Verdict Is In: 2024 Ngaio Marsh Award winners


The Verdict Is In: 2024 Ngaio Marsh Award winners explore societal prejudices and characters under fire

A trio of superb Kiwi writers were honoured at WORD Christchurch Festival last night as they scooped the 2024 Ngaio Marsh Awards for novels offering readers insights into people and place alongside cracking crime tales

In the fifteenth instalment of Aotearoa’s annual awards celebrating excellence in crime, mystery, thriller, and suspense writing, Rotorua author Claire Baylis won Best First Novel for her harrowing examination of jury beliefs and biases in Dice (Allen & Unwin), while Scotland-based DV Bishop scooped Best Novel for his Renaissance Florence-set mystery Ritual of Fire (Macmillan), and Wellington writer Jennifer Lane joined rare company by winning Best Kids/YA for smalltown mystery Miracle (Cloud Ink Press). 

“I’m stoked we have a special award this year recognising writers of crime, mystery, and thriller tales for younger readers,” says Ngaios founder Craig Sisterson. “Many of us owe any lifelong passion for books, and all the good that come along with that, to the children’s authors we read when we were youngsters ourselves. Aotearoa has amazing kids authors, across many genres. In future we plan to award our Best Kids/YA Book prize biennially, alternating with our Best Non-Fiction prize that returns in 2025.”

Last night, ‘Bookshop Detectives’ Gareth and Louise Ward interrogated several of the prime suspects, aka 2024 Ngaios finalists, in person and by video before a large crowd of witnesses in Tūranga, before revealing whowunnit. “It’s the kind of denouement Dame Ngaio may have enjoyed,” says Sisterson.

First up, Lane was stunned to find herself onstage accepting the 2024 Ngaio Marsh Award for Best Kids/YA, adding to the Best First Novel prize she won in 2018 for All Our Secrets. She joins Paul Cleave, Jacqueline Bublitz, and Michael Bennett as winners of multiple Ngaio Marsh Awards. The judges praised Miracle, which stars a teenager trying to deal with devastating events and clear her father’s name after he’s arrested for a brutal attack, as “poignant and funny, with a complex storyline and memorable, well-developed characters including a fascinating heroine with her authentic adolescent voice”. 

Lane’s fellow IIML graduate Claire Baylis was equally thrilled to win Best First Novel for Dice, a unique courtroom drama inspired by her research for the trans-Tasman Jury Project. Her debut gives readers insights into some harsh realities in our criminal justice system through the eyes and beliefs and biases of 12 jurors serving on a tricky sexual assault case. “Both timely and sensitively handled, there is so much that’s clever and surprising about Dice,” said the Ngaios judges. “Inventive, devastating, infuriating.”

The international judging panel for this year’s Ngaio Marsh Awards comprised leading crime fiction critics, editors, and authors from Australia, New Zealand, South Africa, the UK, and the United States.

The Best Novel judges praised Bishop for crafting great characters and “vividly evoking the glorious but menacing Medici-era Florence with convincing historical details seamlessly woven” into Ritual of Fire’s terrific story of Cesare Aldo, a gay court officer at a time when that was punishable potentially by death, trying to uncover the murderers of rich merchants burned to death in disturbing echoes of a religious sect. 

“I’m delighted, and amazed frankly because the standard of the books on the longlist this year, let alone amongst the finalists, was incredible,” said Bishop over video from his home south of Edinburgh, when he was surprised with the news Ritual of Fire had won the 2024 Ngaio Marsh Award for Best Novel. 

For more information on any of our 2024 Ngaio Marsh Awards winners or finalists, or the Ngaios in general, please contact ngaiomarshaward@gmail.com, or founder Craig Sisterson.



Tuesday, August 13, 2024

Beyond whodunnit: 2024 Ngaio Marsh Awards finalists revealed

Beyond whodunnit: 2024 Ngaio Marsh Awards finalists offer page-turning tales and social critiques across time and place

From stem cell research to sexual assault juries, the dangers of a surveillance society to mental health and animal abuse, the finalists for the 2024 Ngaio Marsh Awards offer readers a diverse array of page-turning mysteries and thrills entwined with societal issues, set against a variety of locales and eras from Renaissance Florence and Nazi Germany to contemporary Aotearoa.

‘While crime and thriller fiction is often talked about in terms of its page-turning plotlines, or puzzling twists and surprising reveals, nowadays it’s also a fantastic vehicle for exploring character and society,’ says Ngaio Marsh Awards founder Craig Sisterson. ‘Our 2024 Ngaios finalists beautifully showcase that, with a kaleidoscopic range of tales full of engaging and memorable characters, exploring a wide variety of social issues in many different places.’

Now in their fifteenth season, the Ngaio Marsh Awards celebrate excellence in mystery, thriller, crime, and suspense writing from Aotearoa New Zealand storytellers. The 2024 finalists were announced today in Best First Novel, Best Novel, and Best Kids/YA categories.

“I’m absolutely delighted that we’re celebrating some of our terrific kids’ mystery and thriller writers as a separate category this year,” says Sisterson. “Many of us develop our love of reading, and all the benefits that brings us throughout our lives, thanks to children’s authors. In Aotearoa we have amazing kids’ authors, across various forms and genres.”

The finalists for the 2024 Ngaio Marsh Award for Best Kids/YA are:

  • CAGED by Susan Brocker (Scholastic)
  • KATIPO JOE: WOLF’S LAIR by Brian Falkner (Scholastic)
  • MIRACLE by Jennifer Lane (Cloud Ink Press)
  • NIKOLAI’S QUEST by Diane Robinson (Rose & Fern Publishing)
  • NOR’EAST SWELL by Aaron Topp (One Tree House)

Falkner, an Auckland storyteller now living in Queensland, won the first-ever special award for Best Kids/YA in 2021. Wellington author Jennifer Lane has previously won the Ngaio Marsh Award for Best First Novel, while Bay of Plenty writer Susan Brocker, Auckland author Diane Robinson, and Hawke’s Bay author Aaron Topp are all first-time Ngaios finalists.

“Moving forward, we hope to award a Best Kids/YA prize biennially,” says Sisterson, “alternating it with our Best Non-Fiction category that has been running since 2017.”

This year’s finalists for the Ngaio Marsh Award for Best First Novel, a prize that in recent years has gone to authors including Jacqueline Bublitz and Michael Bennett, are:

  • DICE by Claire Baylis (Allen & Unwin)
  • EL FLAMINGO by Nick Davies (YBK Publishers)
  • DEVIL’S BREATH by Jill Johnson (Black & White/Bonnier)
  • A BETTER CLASS OF CRIMINAL by Cristian Kelly
  • MAMI SUZUKI: PRIVATE EYE by Simon Rowe (Penguin SEA)

“It’s really heartening each year to see the range of new voices infusing fresh perspectives into the crime and thriller backstreets of our local literary landscape,” says Sisterson. 

“Our 2024 finalists are Kiwi storytellers based on four continents, each offering something new and exciting, from madcap capers in Latin America to an unusual Japanese sleuth or a neurodivergent professor of toxic botanicals, to former police detective Cristian Kelly and legal researcher Claire Baylis harnessing their real-life expertise in captivating fictional tales.”

Lastly, the finalists for this year’s Ngaio Marsh Award for Best Novel are:

  • DICE by Claire Baylis (Allen & Unwin)
  • THE CARETAKER by Gabriel Bergmoser (HarperCollins)
  • RITUAL OF FIRE by DV Bishop (Macmillan)
  • PET by Catherine Chidgey (Te Herenga Waka University Press)
  • DEVIL’S BREATH by Jill Johnson (Black & White/Bonnier)
  • GOING ZERO by Anthony McCarten (Macmillan)
  • EXPECTANT by Vanda Symon (Orenda Books)

“It’s a strong group of finalists to emerge from a dazzlingly varied field,” says Sisterson. “This year’s Ngaio Marsh Awards entrants gave our international judging panels lots to chew over, and plenty of books judges enjoyed and admired didn’t become finalists. ‘Yeahnoir’, our local spin on some of the world’s most popular storytelling forms, is certainly in fine health.”  

Crime writing is a broad church nowadays, notes Sisterson, including but going beyond traditional murder mysteries and whodunnits in the style of Dames Ngaio and Agatha Christie, to deliver insights about society and humanity alongside rollicking reads.

“As the likes of Val McDermid have said, if you want to better understand a place, read its crime fiction,” says Sisterson. “Many of our finalists hold up a mirror to society, taking readers into varied lives through their stories, alongside page-turning entertainment.”

The 2024 Ngaio Marsh Awards finalists will be celebrated and this year’s winners announced at a special event held at the WORD Christchurch Festival on Wednesday, 28 August.

For more information on any or all of our 2024 Ngaio Marsh Awards finalists, or the Ngaios in general, please contact ngaiomarshaward@gmail.com, or founder Craig Sisterson, directly.    

Friday, July 12, 2024

Poisons, pandemic, and a pregnant detective: 2024 Ngaio Marsh Award longlist revealed

Poisons, pandemic, and a pregnant detective: 

2024 Ngaio Marsh Award longlist revealed

A neurodivergent expert on toxic botanicals, a harrowing exploration of jury deliberations, a high-tech thriller from an Oscar-nominated screenwriter, a desperate mother searching for her son as lockdown kicks in, a gay sleuth in Renaissance Florence, and the return of a beloved fictional detective are among the diverse books named today on the longlist for the 2024 Ngaio Marsh Award for Best Novel

“Fifteen years ago we launched the Ngaio Marsh Awards, in association with our friends at what’s now WORD Christchurch, to celebrate Kiwi excellence in one of the world’s most popular storytelling forms,” says Ngaio Marsh Awards founder Craig Sisterson.

“Over the years we’ve celebrated some world-class storytelling, and seen our local take on crime writing, aka #yeahnoir, really flourish. There were many books our judges really loved this year, beyond those that have made the longlist, and the strength and variety of this year’s longlist is going to make it another tough decision for our international panel.”

The Ngaios are named for Dame Ngaio Marsh, a contemporary of Agatha Christie and one of the Queens of Crime of the Golden Age of Detective Fiction, who penned bestselling mysteries that entertained millions of global readers from her home in the Cashmere Hills. 

The 2024 longlist includes a mix of past winners and finalists, some first-time entrants and new voices, and several authors who’ve won a variety of other major awards including CWA Daggers, the Jann Medlicott Acorn Prize for Fiction, NZ Booklovers Award for Adult Fiction, Sir Peter Ustinov Television Scriptwriting Award, and the Booker Prize.

The longlist for this year’s Ngaio Marsh Award for Best Novel prize is:

•     DICE by Claire Baylis (Allen & Unwin)
•     THE CARETAKER by Gabriel Bergmoser (HarperCollins)
•     RITUAL OF FIRE by DV Bishop (Macmillan)
•     BIRNAM WOOD by Eleanor Catton (Te Herenga Waka University Press)
•     PET by Catherine Chidgey (Te Herenga Waka University Press)
•     EL FLAMINGO by Nick Davies (YBK Publishers)
•     DOUBLE JEOPARDY by Stef Harris (Quentin Wilson Publishing)
•     THE QUARRY by Kim Hunt (Spiral Collectives)
•     DEVIL’S BREATH by Jill Johnson (Black & White/Bonnier)
•     GOING ZERO by Anthony McCarten (Macmillan)
•     HOME BEFORE NIGHT by JP Pomare (Hachette)
•     EXPECTANT by Vanda Symon (Orenda Books)

The longlist is currently being considered by an international panel of crime and thriller writing experts from the USA, United Kingdom, Australia, South Africa, and New Zealand. Finalists for Best Novel, Best First Novel, and Best Kids/YA will be announced in early August, with the finalists celebrated and winners announced as part of a special event held in association with WORD Christchurch in late August.

For more information on this year’s Best Novel longlist, or the Ngaio Marsh Awards in general, please contact ngaiomarshaward@gmail.com.

Sunday, June 30, 2024

Guest Review: EMERGENCY WEATHER

EMERGENCY WEATHER by Tim Jones (The Cuba Press, 2023)

Reviewed by Alyson Baker

Zeke has to stay with his aunt and uncle in Lower Hutt after a landslide takes his East Coast home off its foundations. Allie puts her drought-ridden Otago dairy farm out of her mind and catches a plane to the capital city. Stephanie wonders why she’s sitting around a table at the Ministry for Resilience – again.

In 'Emergency Weather', three people find themselves in Wellington as the climate crisis crashes into their lives. A giant storm is on its way – what will be left of the city when it’s over?, 

An Aotearoa we are all familiar with – extreme weather events, houses washed away, roads impassable, calls for resilience and re-building. But in Emergency Weather these events have become more extreme: “Glacial slowness had become an oxymoron.” The landscape is scarred: in Wellington there are wind turbines with their blades ripped off, many roofs replaced by plastic sheeting.

We trace the stories of three people through what has become a treacherous unpredictable land. Allie is an Otago dairy farmer whose husband has not been able to overcome the despair of endless droughts. Zeke is a teenager whose house has been swept away by flooding on the East Coast. Stephanie is a climate scientist in Wellington, a policy advisor, whose advice is welcomed, yet ignored.

When Allie accepts an invitation from Matt, her brother-in-law, the Minister for Resilience, to take a break in Wellington with him and his husband, she accepts. Zeke is sent to Wellington while his Mum waits for government relief and a plan to re-home her family. Stephanie’s wife, Miranda, builds windfarms, and they are part of a group re-wilding areas around Wellington. Stephanie likes the camaraderie of the group but knows their efforts will be futile, their plantings eventually washed away in the rising sea.

The plotting of Emergency Weather is brilliant. Allie’s harrowing attempt to reach Dunedin Airport, and Stephanie and Miranda’s nightmare tramping trip prepare the reader for what lies ahead. The three main characters weave around each other in passing before eventually ending up in the same place – a memorial service held after a climate catastrophe. The death toll is 43: “a good number for action: large enough to be shocking, small enough that the people killed could be distinguished in the public mind, could be seen as individuals rather than statistics.”

That is what Emergency Weather is about: how can people be motivated to act? All the main characters have ample motive for action, but all, even Stephanie, find themselves not wanting their lives to change, or planning a future centred on new hope and possibilities. Stephanie knows the science, but that doesn’t trump her relationship with Miranda. Allie meets someone who gives her options, something she hasn’t experienced in a long time. And Zeke is drawn into the climate action movement through attraction to privileged but driven Caity: “What would it be like to choose what you wanted to worry about?”

Emergency Weather is refreshingly complex when considering the differing views regarding global warming, while being very clear about the problem. In the Beehive, a “place where Euclidean geometry went to die”, Matt must manoeuvre between powerful lobby groups and activists. The terrifying denouement occurs while Stephanie is at another talkfest taking place on the Wellington waterfront. Zeke and his new mates are there to make their opinions known. And Allie is at the airport heading back to the farm.

Jones’ descriptions of the effects of two colliding weather fronts are gripping. Having seen footage of, or experienced, Cyclone Gabrielle, or the aftermath of the Christchurch earthquake, the havoc is readily imagined. And in the midst of it, the actions of characters we have come to know are heart-breaking and heroic: “Zeke felt as though all those hours in front of the [games] console had prepared him for this moment.”

Emergency Weather offers no easy answers: “If words could chemically react with carbon dioxide to draw it safely down from the atmosphere, then Matt would be making an outstanding contribution to climate action.” But it does tell a story of how when people are confronted with a common threat, they can work together to overcome it. Emergency Weather leads the reader to ponder how action can be taken before the threat descends. An excellent #CliFi #EcoThriller.

Alyson Baker is a crime-loving former librarian in Nelson. This review first appeared on her blog, which you can check out here

Tuesday, June 25, 2024

Subtle heroes, Stuart Kings, and giant LEGO models: an interview with Laura Shepherd-Robinson

Kia ora and haere mai, welcome to the 235th instalment of author interview series, 9mm, which has been resurrected this year after going into hibernation and only occasionally emerging in 2021-2023, for a variety of personal reasons (230 or so author interviews were conducted in 2010-2021).

Looking ahead, I plan to regularly post on Crime Watch once more, at least in terms of reviews and author interviews and awards news etc. 

Thanks for reading and sharing the 9mm series, and Crime Watch in general (and my work elsewhere) over the years. I've had a lot of fun talking to some amazing crime writers and bringing their thoughts and stories to you. You can check out the full list of of past 9mm interviewees here. What a line-up. With lots more fun to come. Thanks everyone. 

If you've got a favourite crime or thriller writer who hasn't yet been part of the 9mm series, please let me know, and now I'm back on deck more fully, I'll look to make that happen for you.

Following the recent Capital Crime festival, we've got several interviews with cool writers 'already in the can' that will be published soon, so lots to look forward to in the coming weeks and months.

Award-winning historical mystery author
Laura Shepherd-Robinson in Bath, a setting
in her latest novel THE SQUARE OF SEVENS
Today I'm very pleased to welcome to 9mm an author who I first met at the Bloody Scotland festival several years ago, Laura Shepherd-Robinson. Now the award-winning, bestselling author of three historical mystery novels, Laura's books have featured on BBC television show Between the Covers, and won or been shortlisted for numerous prizes including HWA Crowns, CWA Daggers, the Theakston Old Peculier Crime Novel of the Year, and Specsavers Debut Crime Novel Award.

Her latest novel The Square of Sevens centres on Red, the daughter of a travelling fortune-teller, who is raised as a lady in Georgian society before trying to investigate the fate of her mother, and the enemies of her father. Along with being featured on Between the Covers, that book was a Sunday Times bestseller and a Novel of the Year choice in the Times and Guardian.

I caught up with Laura again recently at the Capital Crime festival, in the shadow of the famous St Paul’s Cathedral in London, where she took some time to become the latest crime writer to stare down the barrel of 9mm. 

9MM: AN INTERVIEW WITH LAURA SHEPHERD-ROBINSON

Sir Alec Guinness as George Smiley
Who is your favourite recurring crime fiction hero/detective?
It depends on how purist you’re being, but I want to say George Smiley. He is both brilliant and tragic, and a beautifully understated character and yes such a big, well-rounded character at the same time. The subtleties of his character, and how he sees nuance everywhere but at the same time he has an absolute moral core to him.

What was the very first book you remember reading and really loving, and why?
The Wolves of Willoughby Chase by Joan Aiken. I loved it. It introduced me to history, but with a really compelling plot and compelling characters that you lived and died for. It’s actually a complex alternative history where Britain is ruled by the Stuart Kings and the Hanover Kings are the pretenders to the throne. I don’t think you’d get that kind of book for kids nowadays. It’s an incredibly sophisticated children’s book and I still so appreciate it today.

Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
My debut was my first novel, Blood & Sugar. I’d written a few chapters here and there previously, but never tried to write a full novel before. But prior to that I’d worked in politics, in speechwriting, so I’d written a lot, including a political paper. But not fiction. That was my first go at fiction.

Outside of writing and writing-related activities (book events, publicity), what do you really like to do, leisure and activity-wise?
Once a day me and my husband go on a walk together, a short walk, about three miles, to our local Brew Dog and have a drink – not always alcoholic – and we just chat about the world and stuff. And it’s really nice. We also build giant LEGO models. My storylines in my books can be quite complicated, so it takes me out of my head and my book for a bit, as I have to focus on these giant LEGO structures. 

What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
My favourite London museum is quite a small museum, the Sir John Soane's Museum. It’s really lovely for me as a lover of the eighteenth century. He was an architect and it’s his old house. It’s a museum of his life and the 18th century and it is just so evocative. You can also do candlelit tours of it at night. 

If your life was a movie, which actor could you see playing you?
Well, it can’t be anyone too tall! If she was playing a younger me, then maybe the girl from Game of Thrones who played Arya Stark, Maisie Williams. She’s short but fun and hard as nails.

Of your writings, which is your favourite or a bit special to you for some particular reason, and why?
I think the one I enjoyed writing the most was the last one, The Square of Sevens, because it challenged me to write it. And it was hard to write, but at the end of it I was really pleased that I felt I’d met the challenge. So I felt a good sense of achievement. Also, it was the book I wrote in lockdown, so other than my husband it was my companion in those days, and I went to places in that book that couldn’t go to in real life. So in that sense I look at that book as a friend, if that’s not too cheesy an answer. 

What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
When I signed, I went that very same day (the day the auction for my debut finished) to a crime festival. I didn’t know hardly anyone then, and when people heard I’d sold my book people were so welcoming and so supportive and kind. And these were crime authors I’d admired for a long time, and it was just a great feeling and confirmed what people say about the crime fiction community. 

What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
I had a very bizarre one where someone came up to me and had been in New Zealand with my Mum in the 1970s and had a photo with my Mum from when she was 17 or something. 

Thanks, Laura, we appreciate you having a chat with us. 

Have you read Laura Shepherd-Robinson's historical mysteries? What do you love most about blending mystery with history? Do you have any favourite historical eras?


Sunday, June 23, 2024

Guest review: CHASING THE DRAGON

CHASING THE DRAGON by Mark Wightman (Hobeck Books, 2023)

Reviewed by Alyson Baker

Singapore, 1940. A local fisherman finds the body of a missing American archaeologist. Detective Inspector Betancourt of the Singapore Marine Police is first on the scene. Something doesn't quite add up. He finds out that the archaeologist, Richard Fulbright, was close to deciphering the previously-untranslatable script on a pre-colonial relic known as the Singapore Stone. This was no accidental drowning. Is there more to this case than archaeological rivalries?

Betancourt also discovers that Fulbright had been having an affair. He is sure he is onto something bigger than just academic infighting. A government opium factory draws criminal interest in his investigations into the death, Betancourt finds his own life in danger, and now he has also put himself on the wrong side of British Military Intelligence, and he is unsure which set of opponents he fears the most...!

Inspector Maximo Betancourt is back solving crimes in sweaty bustling 1940 Singapore. Like his first outing, Waking the Tiger, Chasing the Dragon is full of colourful characters, lots of action, and an intriguing crime to solve.

In Waking the Tiger, Betancourt was struggling to investigate a murder due to the victim being an Asian woman, therefore of little interest to the colonial authorities and businesses. In Chasing the Dragon, his investigation is hampered by the victim being an American man, so of such high interest that many agencies want his demise ruled an unfortunate accident and the case closed ASAP.

Betancourt is supported in his quest by his circle of acquaintances, including his colleague-of-interest, Dr Evelyn Trevose, recently appointed the new Police Surgeon. Betancourt had previously pulled away from his feelings for Evelyn, mainly due to guilt – his wife Anna being missing, not dead – but he finds himself aggrieved that Evelyn has now got a suitor, Alistair Grey, ‘the Grey Man’.

As Betancourt persists with the investigation, he must face conflicts between different arms of the police, between different echelons within the same arm of the police, between the police and the army, police and the politicians, and the police and business interests. And then there is the colonial racism: “one dead American will make twice as much noise as twelve dead Chinese.” Betancourt is a Serani, Eurasian, which puts him on the outside of most circles, but at an advantage in some.

Chasing the Dragon is an engrossing murder mystery, Bentancourt finding clues – even a treasure map! The character of the victim is slowly revealed. We read of his infatuations, his addictions, and his expertise in archaeolinguistics – all of which could be motives for his murder. Bentancourt is, sort of, reading Call of the Wild, but those close to him seem to be reading detective novels – which provides texture to the dialog: ‘on it, boss’, ‘to have you bumped off.’

Betancourt is such a good character – he’s rumpled, a bit bumbling, and occasionally unsure of himself, but at the same time he is determined, dogged, and caring. He gets blown up, bashed up, reprimanded, and insulted: “Who’s that she’s with? Is that her driver?”, “[the man] regarded Betancourt as though he was something he’d just stepped in and was having trouble removing from his shoe.”

However, he has staunch defenders and allies. “Betancourt sniffed. The odour of durian hung over Quek”: His relationship with his Sergeant Quek is delightful, and their dialogues a treat. And some on his side are the women who shape his world: his daughter, his missing wife’s best friend, and of course Dr Evelyn Trevose. 

The plotting is solid and the mystery intriguing, with some genuine surprises along the way. Due to Betancourt’s contacts at the racing track, the port, the banks, the morgue, the opium dens, and his entrée into higher society through his warrant card and his past association with his wife’s family, the novel takes the reader through the gamut of 1940s Singaporean society.

Chasing the Dragon describes a ghastly entangled web of greed and privilege, including “The British, not considering themselves forbidden from doing anything they chose”. Betancourt remains an observer: “sometimes I’m unsure what the sides are, let alone who is on which one.” The enduring evils of the British trade in opium sit alongside the fascinating theories of the long history of the settlement of the island.

As with the previous novel, the women are not just adjuncts to the male agents, they are very aware of the limits on their freedoms imposed by their society – and how to take advantage of those limits: “I did my silly-female-forget-my- own-head-one-of-these-days act.” It is possibly Betancourt’s outsider quality  that leads to his being regarded differently by the women, who have preconceptions of European males.  

The writing in Chasing the Dragon is atmospheric: “Thunder rumbled, and through the window he saw clouds like black balls of cotton amassing in the night sky. The beginnings of a headache pulsed across his forehead, and he rubbed his temples as he considered his next move.” The mystery is intriguing and the historical aspects interesting – and it ends with the next instalment in view – I look forward to the further exploits of Inspector Maximo Betancourt!

Alyson Baker is a crime-loving former librarian in Nelson. This review first appeared on her blog, which you can check out here