Scary-tales
It wasn't that big a leap to go from writing horror to writing crime, as PAUL CLEAVE tells CRAIG SISTERSON
Looking back now, Paul Cleave realises that “a couple of things
happened” in the lead-up to the turn of the millennium; key things on his road
from being an unpublished horror writer with several manuscripts ‘in the bottom
drawer’, to becoming an internationally-bestselling crime writer. At the time
Cleave was a big horror fiction fan (he still is), having for many years
devoured books by writers like Stephen King and Dean Koontz while working away
on his own fantastical dark tales. “I didn’t even like crime,” he says,
laughing at the memory. But then Cleave read Lee Child’s first Jack Reacher
novel, and was blown away by the writing. “I thought, this is awesome, I want
to write like this.” And he also read a non-fiction work by famed FBI profiler
John Douglas. In his books, Douglas (who interviewed dozens of incarcerated
serial killers during his FBI career) shares with readers some of the skewed
mindsets of such people. “I read that and it just gave me the insight that
horror [fiction] isn’t really horror,” says Cleave. “The scariest stuff in the
world is true stuff, stuff that’s real, like serial killers.”
The idea of turning his writing attentions
from fantastical horror to such ‘real’ horrors gained momentum when one of
Cleave’s best friends asked him if he’d ever read a book written from the
perspective of a serial killer (this was years before the Dexter series became popular). “I thought, man that’s a great idea,
and then that day I wrote Chapter One,” recalls Cleave. Those first few pages
would grow into The Cleaner,
Cleave’s bestselling debut, which features Joe, a serial killer who works at
the Christchurch Police Department as a seemingly mentally-challenged janitor
in order to keep an eye on the investigations into his own crimes. When a
killing Joe didn’t perform is linked to him, he tries to find and punish the
copycat.
After its eventual release in 2006, The Cleaner became an international
bestseller, receiving rave reviews and getting translated into several
languages. It was particular popular in Germany, where the dark and raw tale
that takes readers inside an askew mind hit #2 on the Amazon adult fiction book
charts (just behind the then-latest Harry
Potter book), and ended up as the #1 crime thriller title on Amazon in
Germany for 2007, selling several hundred thousand copies. The Cleaner is one of the biggest and fastest-selling fiction books
to ever come out of New Zealand, despite the fact it hasn’t yet been released
in either the US or UK markets.
Like all Cleave’s books since, including
his latest Blood Men (released in
Australia last month), The Cleaner
is told in first-person, through the eyes of a troubled protagonist. Taking his
readers inside such minds has become something of a calling card for Cleave -
each of his Christchurch-set novels is a standalone focused on the trials and
tribulations of a different main character who is facing emotional turmoil:
serial killer Joe with his warped view of the world in The Cleaner; blood-covered Charlie, who wakes up to the news that
two women he was with the night before have been brutally murdered in The Killing Hour; and former policeman
Theo Tate, who finds himself devolving into a man he’d always despised while on
the hunt for a killer in Cemetery Lake.
In Blood
Men, which has recently been bought by US publisher Simon & Schuster
and later this year will become Cleave’s first book to be released in the
United States, Edward Hunter is a happily-married family man with a great life
but a dark past; he’s the son of a notorious serial killer who has been in prison
for 20 years and will never be coming out. The son of a man of blood. When
tragedy strikes, Edward suddenly needs the help of a man he’s spent all his
life trying to distance himself from, and prove he’s not like – but as things
spiral out of control Edward begins to wonder whether he’s destined to become a
man of blood too. Blood Men may very
well be Cleave’s best book yet; filled with his recognisable mix of dark crime
peppered with sly humour, compelling characters, and exciting storylines with
enough tension and interesting twists and turns to keep the pages whirring. All
taking place in a well-evoked, if somewhat malevolent, version of Christchurch
– a city that casts such a shadow that it has an almost character-like presence
in Cleave’s books.
Cleave admits he really enjoys writing from
the perspective of such troubled characters, which allows him to mix some of
his own ideas and views on the world along with views that are the opposite of
what he thinks. “It’s just so fun to write.” He also has fun writing about his
hometown, the most English of New Zealand cities, taking the seedy underbelly
he was exposed to during his years walking as a pawn broker and (somewhat)
exaggerating it for effect in his stories. “I was pretty hard on Christchurch
in Blood Men,” he admits. “But you
don’t just want to have some sterile garden city as the setting – you really
want to make it something of a shithole. It’s not what I think of it, I don’t
see it like that, but my characters see it that way. And it’s a more entertaining
angle to write.” It’s all part of the authenticity of getting into the minds of
his main characters; in Blood Men
Edward likes living in Christchurch at the start, but when tragedy strikes he
begins to see another side to the city.
Originally Cleave wasn’t going to set his
novels in the place where he was born, raised, and continues to live. “When I
first started writing, I just made up a city… just some kind of generic US
city.” But then he read some advice from Dean Koontz, one of his favourite authors,
about writing what you know. “I started setting [my writing] in Christchurch,
and it just changed everything. You know how things look; you know the feel of
the city and how long it takes a character to get somewhere. It was just the
best thing I ever did.”
Despite his growing success, Cleave remains
a very laidback, down-to-earth person – a working class kid from Christchurch
that’s getting to do what he loves for a living; tell stories. He takes the
piss out of himself in the same way his characters mock and take the piss out
of each other in his books, and he admits his sense of humour is something he
tries to get through in his writing, even when the stories are dark. “It’s just
how I’ve always been with my friends, being sarcastic and mocking each other,
within reason… I think the humour in The
Cleaner with Joe and the other characters is the only thing I have in
common with him. I just think it’s more entertaining [to have humour in even
dark tales], and that’s what I want to do more than anything, is entertain
people.”
Ten years after he made a shift from
fantastical horror to dark thrillers, Paul Cleave’s writing career is really
hitting its stride. Overseas he is already the biggest name in New Zealand
crime writing since the legendary Dame Ngaio Marsh, although like Marsh
herself, he remains somewhat overlooked (thusfar) in his home country. But with
Blood Men, and his launch in the US
later this year, he could be about to get even bigger. After all, Germany is
something of the canary in the coal mine for top crime fiction; in recent years
both Linwood Barclay and Stieg Larsson became massively popular there, selling
hundreds of thousands of copies of their books, before they were later noticed
then enthusiastically embraced by UK and US readerships.
Perhaps it’s time more Australasian crime
fiction fans read Cleave, finding out what Germany already knows, and the rest
of the world is soon to discover…
Blood
Men by Paul Cleave is published by Random
House, rrp $29.95
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This article was originally published in print in the March 2010 issue of Good Reading magazine, and is published online here to celebrate Paul Cleave winning the 2011 Ngaio Marsh Award for Best Crime Novel, for BLOOD MEN.
I have loved reading all of Paul's books, but my favourite so far is most definately Blood Men. I look forward to his next installment later this year.
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