"Parental fears and gut-punch storytelling" - review of THE GOOD FATHER

THE GOOD FATHER by Liam McIlvanney (Bonnier, June 2025)

Reviewed by Craig Sisterson

Gordon and Sarah Rutherford are normal, happy people with rich, fulfilling lives. They have a son they adore, a house on the beach and a safe, friendly community in a picture-postcard town. Until, one day, Bonnie the labrador comes in from the beach alone. Their son, Rory, has gone - the only trace left behind is a single black sandal.

Their lives don't fall apart immediately. While there's still hope, they dig deep and try to carry on.

But as desperation mounts, arms around shoulders become fingers pointed - at friends, family, strangers, each other. Without any answers, only questions remain. Who can they trust? How far will they go to find out what happened to Rory?

And the deadliest question of what could be worse than your child disappearing? When the truth begins to emerge, they find themselves in a world they could barely have imagined..

It is a seemingly ordinary August day that fractures the lives of Gordon and Sarah Rutherford. Late summer on the west coast of Scotland; their seven-year-old Rory enjoying the beach outside the family home with their dog Bonnie. Then Bonnie comes home alone. Gordon and Sarah wander the beach. No sign of Rory. The police are called. Questions. More extensive searches. More questions. Hours pass. Days. Months. 

Award-winning novelist Liam McIlvanney, a professor at the University of Otago, may be a self-confessed ‘slow motion crime writer’ who doesn’t produce the book-a-year of many peers, but The Good Father demonstrates once more why his tales are always well worth the wait. 

What could be worse than your child disappearing? A seemingly ordinary day, something Rory had often done, playing near the house with their dog. A safe community in their small town, he’d always returned home. Until he didn’t. Guilt. Fear. Whispers and gossip. How do your neighbours see you now; how do you see yourselves?

McIlvanney takes parental fears and delivers gut-punch storytelling; he is a great writer alongside being a great storyteller. The sentences sing, as Gordon and Sarah’s happy lives are eroded away day by day. It’s the hope that kills. What could be worse than your child disappearing? The Good Father is a quietly terrifying tale that upturns expectations without pyrotechnics, and from an author who’s already collected major writing awards in both hemispheres, may somehow be his best work yet. 

Craig Sisterson is a lawyer turned writer, editor, podcast host, awards judge, and event chair. He's the founder of the Ngaio Marsh Awards, co-founder of Rotorua Noir, author of Macavity and HRF Keating Award-shortlisted non-fiction work SOUTHERN CROSS CRIME, editor of the DARK DEEDS DOWN UNDER anthology series, and writes about books for magazines and newspapers in several countries.