Friday, September 23, 2011

From Sam to standalone: a sneak peak at Vanda Symon's upcoming thriller

When I interviewed contemporary Kiwi crime queen Vanda Symon earlier this year for a feature article in the Weekend Herald (read that article here), we talked not only about her latest novel, the excellent BOUND (Penguin, 2011), and the evolution of her fantastic heroine Sam Shephard, but also about what she was working on next. As it turned out Symon was/is taking a break from Sam, and trying something new: a darker, standalone novel told from multiple viewpoints that would be released in early 2012.

After four fascinating crime novels starring the irrepressible Sam, I can understand Symon wanting to stretch her writing wings and try something a little different - and as has been shown by other authors like Michael Connelly (THE POET, after several Harry Bosch novels), Mark Billingham (IN THE DARK, after several DI Tom Thorne novels) and Harlan Coben (TELL NO ONE, after several Myron Bolitar novels),  it can be a good thing for a crime writer to release a darker standalone thriller that might attract broader audience attention, and bring more readers into the fold for the main ongoing series as well. As I think Symon is a very good writer, I certainly hope that ends up being the case for her, as well.

Now, a'blurb' for FACELESS, Symon's upcoming standalone thriller, is available (thanks to Symon's UK-based agents, Gregory & Company):

Darren Fordyce is a man trapped in middle-class New Zealand. He is in his late thirties, married with two young children, a successful businessman and wondering what the hell happened to his life? How had it become so mundane? Life is a cycle of getting up, going to work, coming home, dealing with the family and going to bed, day in day out, week in week out, with no sight of change or opportunity on the horizon.

One day, when it all gets too much, in a rash and uncharacteristic moment he picks up a prostitute, but when overcome with guilt and shame, instead of walking away, he panics and kidnaps her. In this novel we see his first fearful interactions with the young woman he has taken, then we see his slow descent into masochism, when he discovers the inner pleasure he gets from finally being in control of something, controlling her, torturing her from his first tentative slaps, to his escalation into sadistic harm.

Vilimena Navai, known as Billy, is one of the faceless, an eighteen year old, Fijian illegal immigrant drifter and sometime graffiti artist. She has on occasion turned tricks to for cash, but only when in dire need of money. When again the need arises, she accepts a ride from a businessman.

Max Grimes is also a faceless. He was once a police detective and a high flyer with properties and investments, but the pressure of work, a series of financial catastrophes and then the brutal murder of his beloved 14 year-old daughter tipped him over the limits of his endurance. He now lives on the streets. The one bright light in his miserable world is Billy whose kind heartedness has kept him alive. When Billy suddenly disappears Max knows something bad has happened to her. When he reports her missing the Police aren’t interested. Max has to pull himself out of his mire and use all of his smarts to find her, and the clock is ticking.

It certainly sounds interesting to me, and I'm looking forward to seeing how Symon weaves the characters' stories together into a (hopefully) compelling thriller. When I interviewed Symon at the beginning of the year, she had just started FACELESS, and seemed to be pleased with how it was going. "It's early days, but it's good. It's fun to be writing from different persepectives," she said. "I love writing about Sam, but it's nice to have a wee break."

Symon has also thrown another change-up into the mix; the book isn't set in the southern part of New Zealand. "I've set it in Auckland," she told me. "It's crime fiction, but not a detective story in the police procedural sense. It's a bit darker. This is a book that I've been mulling over for a few years. It's been brewing in the background for quite some time. Something different to keep me fresh."

I'm certainly looking forward to seeing what Symon has to offer with her new book, although, like I imagine many who have read her earlier works, I certainly hope we haven't seen the last of Sam Shephard.

Have you read any of Vanda Symon's crime novels? What do you think of Sam Shephard as a main character? Do you like to read standalone thrillers as well as (or instead of/more than) ongoing series? Comments welcome.

Thursday, September 22, 2011

TRACES OF RED by Paddy Richardson

One of the most pleasing things about the slowly growing Kiwi crime fiction scene is that we now have several talented writers who are publishing multiple books, whereas in the past we had many authors who published one or two crime, mystery, or thriller novels, and then that was it (for examples, click on the bibliographical list of Kiwi crime writers above). It's great to see the likes of Vanda Symon, Neil Cross, Paul Cleave and others writing three, four, five and more crime novels - and others like Alix Bosco and Ben Sanders look like they too will hopefully follow this path and keep writing crime.

Another talented Kiwi crime writer is Paddy Richardson, a finalist for this year's Ngaio Marsh Award for her acclaimed psychologial suspense tale HUNTING BLIND (Penguin, 2010), which hit #1 on the local bestseller list last year, and sold well locally, especially for a locally-written crime novel. I thought HUNTING BLIND was a really good suspense novel, that showed Richardson was really finding her stride as a thriller writer. For me it was a noticeable step up from her debut thriller A YEAR TO LEARN A WOMAN.

Here's what I had to say about the book to Nicky Pellegrino of the Herald on Sunday in the lead-up to this year's award announcement:

Richardson's tale of a woman who is trying to uncover what really happened to her sister years ago expertly melds family drama and psychological suspense. Highlights of this novel include the evocation of the South Island scenery, a lingering sense of unease, and the way Richardson delves into the complexity of human relationships and the aftermath of high-profile tragedy; uncovering the very real and ongoing effects after the media circus leaves.

As such, I was very pleased to see that Richardson has a third thriller (and fourth novel overall) coming out soon: TRACES OF RED. Here's the blurb:

Rebecca Thorne is a successful television journalist, but her world is thrown into turmoil when her Saturday night programme is axed because of falling ratings. Not only will she lose her job but her big story on the convicted triple murderer Connor Bligh, whom Rebecca believes is innocent, has to be abandoned.

Rebecca's lover Joe, a married man and the barrister representing Bligh, also thinks Bligh is innocent – or does he? And if he loves Rebecca so much, why is he prepared to cast her off?

Meanwhile Bligh languishes in jail, convicted of three brutal murders and continuing to protest his innocence. He's clearly not a saint – but did he do it? Rebecca refuses to let the matter lie...

New Zealand readers will realise that, like HUNTING BLIND with it's 'ripped from the headlines' hook of a young girl who goes missing from a small New Zealand town, there are plenty of echoes of some high-profile real-life events in the plot of Richardson's next novel, as recently we've had some notable cases of prisoners protesting their evidence, and plenty of discourse and debate over whether they are or not (eg David Bain, Peter Ellis, Scott Watson, etc). I'm really looking forward to seeing how Richardson weaves the associated themes into her thriller, and where she takes us with the book.

TRACES OF RED will be released in New Zealand in late November.

Wednesday, September 21, 2011

Luther to return for a third season

The award-winning BBC crime series Luther, written by Wellington-based novelist and screenwriter Neil Cross, will return for a third series next year. The psychological crime drama, which polarised critics and fans in its first season (which won the prestigious Edgar Award earlier this year, and Golden Globe and Emmy nominations for its star Idris Elba), revolves around volatile and self-destructive DCI John Luther, who has a talent for understanding criminals matched only by his ability to mess up his own personal life. The second series, which is due to begin screening in the United States this month, received much wider acclaim, and very strong ratings, when it was shown in the UK earlier this year.

I have not yet seen the second series, but I was one of the viewers and critics who found the first series riveting, when I watched it on DVD recently. You can read my review of series one here. As I said then:

"Elba is magnetic as Luther, bringing a gravitas to the role that transfixes even when things veer towards theatrical. Whether he was throwing things through windows or sitting quietly alone, I was mesmerised by his portrayal of a troubled man treading a tightrope between intelligence and insanity. But it’s not a one-man show; there are strong performances across the board, from Morgan’s Alice, to Indira Varma as Zoe, Saskia Reeves as Luther’s boss, and Paul McGann as Zoe’s new lover. Each brings emotion and authenticity to the roles, none are caricatures."

For me, it was one of the best TV shows I've seen in recent years - but I could also see why other viewers and crime fiction fans might not like it.

Recently, LUTHER: THE CALLING (a novel that acts as a prequel to the first episode of the first series, providing an interesting insight into how the (anti)hero came to be where he was then) was also released. I really enjoyed the book, which was also written by Cross, the creator and writer of the TV series. It had all the taut prose, simmering violence, and pacy storylines we've come to expect from Cross, and I would recommend it to all who enjoyed the TV show (and perhaps even to those who didn't).

Tuesday, September 20, 2011

Happy Birthday Michael Koryta

It turns out I share my birthday with acclaimed US crime writer (and now supernatural-tinged thriller writer) Michael Koryta, who was one of my favourite 'new-to-me' author discoveries back in 2009. I had the opportunity to interview Koryta by phone last year, and we had a great discussion about crime fiction, the state of journalism, and more - parts of the interview were used for a feature in Good Reading magazine (unfortunately only available online to subscribers), and other parts for his 9mm interview here on Crime Watch. Recently I read Koryta's latest novel, THE RIDGE, and really enjoyed it.

To mark Koryta's birthday, I thought I would republish his 9mm interview, for you all to enjoy.

The Crime Watch 9mm Author Interview: Michael Koryta

Who is your favourite recurring crime fiction hero/detective?Harry Bosch, Connelly’s Bosch would be up there. Going back farther than that, I would say Chandler’s Philip Marlowe was probably the ultimate favourite. It’s interesting, I don’t know LA very well at all, but I’m definitely a fan of those LA-based characters.

What was the very first book you remember reading and really loving, and why?
It was a book called The Crow and the Castle by a writer named Keith Robinson, and I read that when I was eight years old. It was a childhood favourite of my father’s actually, and he remembered it, and he went to the library and was looking for some of the books he remembered, and they had a copy of that, and it was the first mystery I ever read, so as you can see it had a pretty profound impact.

Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
I actually had three unpublished books. There was one unpublished adult crime novel, a Lincoln Perry novel, which to me is the first one. And then when I was at high school I wrote two young adult novels, and I count those, even if nobody else does (chuckling), because they showed me how to write books from beginning to end, and that’s a really huge part of the writing process; to just develop the discipline to stick with a story over how many weeks or months. So I’d written three novels, and I was working as a journalist. I’d covered everything from police beat to sports reporting, and about everything in between.

Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?I read, and work out a great deal - and that’s my coping mechanism in a lot of ways. When I’m stuck on a plot issue, or any aspect of a book, usually what I do is head out for a run or hike … it’s kind of by heading in the polar opposite of sitting at a desk, I can sometimes stir up some good things. And [I’m] a bit movie fan, as I think most or a lot of writers are.

What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
I would say that [that part of Indiana, around Bloomington] is quarry country, limestone quarry and mining area - the scenery was featured in a film called Breaking Away, so getting out to see that part of the area outside of the town. Most people would generally go to the University, which is really the heart of the town, and I certainly wouldn’t discourage that. But I’m certainly fond of the country outside of the town...

If your life was a movie, which actor could you see playing you?
(chuckling) Wow, there’s no way to answer that without sounding self-flattering I think. I think Guy Pearce is wonderfully talented, so that would be an honour. I don’t resemble Guy in any way, but that would be an honour.

Of your books, which is your favourite, and why?SO COLD THE RIVER would be my favourite because it represented more of a leap for me. I’d obviously written in the traditional detective novel fashion for the first five books, and going into the supernatural thriller realm was not something I really anticipated doing. And maybe because of that, it was an immeasurably fun book to write, so I’d pick that at this point.

What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
The day I found out I was going to be published, I actually had to go to class, because I was still in college. I got the phone call in the parking lot of the newspaper where I worked, and obviously it’s a really great moment. It felt pretty strange, and I didn’t have much time to enjoy it, because I was running late for class. So I went straight to a Swahili class - that was to get my foreign language requirement out of the way. And the first time I saw it on the shelves, when I wasn’t signing, was actually a particularly great day, because it was in Boston at a Barnes & Noble, and it was the first day I got to meet Dennis Lehane (who has been incredibly generous to me), so I was riding on an emotional high from that, and I had a little time to kill before I went back to New York, so I wandered into this bookstore in Boston, and it was the first time I saw it in a bookstore that wasn’t hosting me for an event. And so that day has stuck with me, for a lot of reasons.

What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Well, I get a lot of unusual requests because I’m on the younger side for writers. I did one signing where a woman immediately raised her hand during a Q&A period, she clearly had a very urgent question, and I anticipated it was going to be something about the book, but all she wanted to know was if I cooked, because she’d read an article that said a lot of young men didn’t know how to cook.

Comments welcome.

Michael Connelly talks about his upcoming Bosch novel



Harry Bosch is facing the end of the line. He's been put on the DROP - Deferred Retirement Option Plan - three years before his retirement is enforced. Seeing the end of the mission coming, he's anxious for cases. He doesn't have to wait long.


First a cold case gets a DNA hit for a rape and murder which points the finger at a 29-year-old convicted rapist who was only eight at the time of the murder.

Then a city councilman's son is found dead - fallen or pushed from a hotel window - and he insists on Bosch taking the case despite the two men's history of enmity.

The cases are unrelated but they twist around each other like the double helix of a DNA strand. One leads to the discovery of a killer operating in the city for as many as three decades; the other to a deep political conspiracy that reached back into the dark history of the police department.

Released in New Zealand on 31 October.

Friday, September 16, 2011

Hopes for Whitcoulls fade as owners put book industry off-side

Back when I was a youngster growing up in Nelson, 15 to 20 years ago, the Whitcoulls on Trafalgar Street was my favourite bookstore. I used to look forward to heading in there on a weekend or holiday to browse the shelves, and pick up a few new books. The staff seemed friendly, there was lots of choice, the prices were reasonable. So it was with great sadness that as I've moved into adulthood, and reconnected with my lifelong love of reading in recent years, that I've come to realise that Whitcoulls, once a beloved retailer, had fallen so far.

As I discovered during my 'bookstore review' series when I first began Crime Watch more than two years ago, the selection of New Zealand crime novels (and often, New Zealand novels in general, or crime novels in general) was pretty poor at many Whitcoulls - a real shame for what had been the leading bookstore in New Zealand for so many decades. I heard the stories of Whitcoulls around the country not stocking books from authors who even lived in that city - perhaps not the fault of frontline staff as much as corporate decisions made by faceless, unknowing people at head office.

Having worked for a nationwide retailer myself while at high school and University, I'm certainly sympathetic to some of the ill-informed decisions that can be foisted upon local stores by 'head office'. Just because things might work one way for a 'model store' in one location, doesn't mean that's the best, most efficient, or most profitable one for a similarly branded store in a different location, and with different customers.

As I became more aware of the goings-on in the local books industry, and talked to more authors, publicists, booksellers, reviewers, and others, I came to realise that Whitcoulls had fallen far off the wagon. There were many, many problems - which was quite a scary situation given Whitcoulls' market share (even though that was diminishing) and influence. I won't list all the specifics here, but I will say that many of the issues seemed to boil down to what seemed like a complete lack of passion and knowledge about what they were selling. They just wanted to sell as much as possible.

The funny thing is, most truly successful people, organisations, and businesses are so because they are passionate about what they're involved in, think about it regularly, and do all the little things that can make a difference, small or large, over time. Because they love what they are doing, and are willing to invest the time, and willing to back themselves and try things. You can be 'okay' when you plunk down a generic one- size-fits-all plan and try to follow it, regardless of the unique nature of what you're doing - but you'll never be great. Any success will eventually wither on the vine, strangled by a lack of passion.

In terms of Whitcoulls (and to be fair, it's not just them - it can be a problem with many large and unwieldy organisations), where were the knowledgeable staff to guide browsing book buyers, or hand-sell lesser-known authors on the rise who weren't household names yet (a path that many of our modern day big names, such as McDermid, Connelly, Rankin etc had to forge)? Where was the support for the coming generation of local and international authors, rather than just the generic retailing 'stack them high and watching them fly' approach. There is so much passion amongst so many in the books industry, but a big market player was seemingly sucking the life out of the local books world - not through malice, but neglect. It was a real shame.

I was recently in a Whitcoulls in Auckland, and during my 15 minutes in-store I probably sold more books than all their staff combined (in terms of actually encouranging someone to buy something, rather than just waiting at a checkout), just by chatting to people in the crime fiction section, and giving them some recommendations when they told me which authors they were looking for, or which authors they liked.

Not picking on the staff - because I'm sure their hands were tied by many decisions and policies, but it often seemed like many are just 'checkout operators', not booksellers. Even the ones wandering the store don't seem to engage customers, or know much when asked anything. As I say, not their fault - it's more to do with the way they're chosen, trained, and encouraged to act by superiors. And that's where the failings lie.

Given all the issues bubbling away in the background, it didn't surprise many here when the Whitcoulls chain got into serious financial trouble - although it seems that was more to do with the mis-management of its Australian parent company than the many issues with its local stores. Unfortunately this exacerbated the issues for publishers and authors for many months.

A ray of hope arrived with the news that many of the stores had been purchased by the Norman family, who owned several other successful retailers (the Pascoe Group).

Books-loving people in New Zealand crossed their fingers, daring to hope that this would be a renaissance for a once iconic brand, and that Whitcoulls would reconnect with its former passion for and focus on books, rather than just a generic retail model and approach that seemed to have little regard for the unique nature of what it was selling. Hopefully the new owners would let the company, led by returning boss Ian Draper, interact with the industry, support the industry, and help promote all the great things about books.

Surely that would be great for everyone - booksellers, publishers, authors, customers - rather than just solely striving to get a bigger slice of a shrinking pie, grow the pie people!

But no. I am very saddened to say that it seems Whitcoulls isn't bouncing back from its trouble in a positive way for the books industry. Instead it is putting up the barricades and trying to go it alone - a route that may give it some initial success, but I can't imagine will work for them, or anyone else, long-term. It is putting ill-founded concerns about commercial sensitivity ahead of reality. Once again, it is falling into the trap of trying to treat its books business just like any other retail industry, not realising that books are quite different.

Yesterday, leading New Zealand book industry commentator Graham Beattie reported that the new owners of Whitcoulls had decided to withdraw from the New Zealand Neilsen Bookscan Panel, thereby undercutting the information available to the entire industry. Valuable information that can help everyone move forward. This would also render the weekly bestseller lists in New Zealand far less meaningful, with a bookstore chain that represents about 25-35% of the market (down from 50% in its better-run heydey) no longer letting Nielsen know which books have sold well. Pretty gutting for authors and publishers, I would imagine. Making a bestseller list can be an important milestone for an author, a great kudos, and having the list undercut in such a way by a retailer whose owners had made all the right noises earlier - well, it's a shame.

Beattie has called the decision "hugely irresponsible", and has sworn never to buy a book at Whitcoulls again. I would hasten to add that Beattie is not some Internet hothead who gets easily wound up and mouths off about issues. He's an icon in the New Zealand books industry, is insightful and passionate about books , and is always measured and well-thought-out in his comments (even when I may disagree with him, now and then).

In all honesty, I can't remember when I've 'seen' him this fired up.

Many others in the industry are incredibly disappointed by what clearly seems a short-sighted decision - like those ones made by faceless bureacrats and businesspeople that make sense in theory or 'on paper', but have no real understanding of the flow-on effects in reality. I'm sure all of us have seen many examples of such moronic decisions, across the board in many industries (and other things like politics etc). Although the people involved always defend them, and always have reasons which 'sound good'.

As it turns out, the Norman family have come out today, talking to the Dominion Post newspaper, offering their reasoning for the decision. As predicted, it 'sounds good', and I'm sure they honestly believe it themselves, even though many others outside their cadre will realise it will backfire in the long-run, and could diminish both their business, and the wider industry. For some reason a saying from childhood is knocking about in my head - "cutting off your nose to spite your face".

You can read the Norman's defence here. Basically, they see sales data as sensitive to their business, and don't want to share. It's a decision made across their numerous companies, and Draper, who at least has been involved in the books industry before, hasn't really had much say, in terms of the Whitcoulls business.

As I said, you can kind of understand the reasoning, on the surface. Until you start thinking about it more broadly. Then it starts to seem a little silly. Basically it's the equivalent of a movie theatre chain refusing to tell Hollywood movie studios how many tickets they sold to a movie, thereby rendering the box office numbers somewhat meaningless. It's the equivalent of those who sell music not letting the public know what is selling well, and who has the number 1 single, album, etc. The Normans are basically comparing book sales to how many fridges or electronics they sell at Farmers, or how many necklaces they sell at Pascoes, rather than realising books are unique - and that in almost all other countries around the world such data is shared. Just as it is when it comes to other artistic media, such as film, music, etc. That's the bit that really disappoints, and concerns, me - as annoying as the decision is, it's the underlying lack of understanding or regard for the unique nature of the books industry that worries me more. Because that could lead to even more bad decisions, which would not be a good thing for the world of books here at all. How can you participate, or even lead the way, in a rapidly changing industry, if you don't actually respect it, or realise it's not the same as selling widgets?

As I said, the Normans briefly brought hope to a fallen icon of New Zealand retail. Unfortunately, this week they seem to have taken a path that aligns them more with the failed owners of recent years (who similarly tried to operate with a generic retail mindset), more than the booklovers that made the business so successful in days gone by. It's a shame, a real shame.

Thursday, September 15, 2011

SHELTER: Coben takes on the YA market

Recently I read an advance copy of SHELTER, the first book in the new 'Mickey Bolitar' young adult suspense series from bestselling Harlan Coben. The book has now been released in New Zealand this week - and I'd recommend it to any teens (or adults) interested in a well-told suspense tale. I've read a few young adult crime/thriller novels in the past couple of years, and this is arguably the best of them - it doesn't 'talk down' to its readers, and over-simplify things - and instead is just a good, solid suspense novel that just happens to be told through the eyes of a teenage protagonist.

It's also very interesting to see Myron Bolitar - Mickey's uncle - in a different light from Coben's adult novels. To Mickey, Myron is an annoying uncle, someone who gets in the way of what he wants to do.

You can see a trailer about the book here:



I've got to say, that's one of the most professionally shot book trailers I've seen so far - it's almost as if it's a trailer for a TV or film adaptation of the novel. The book is well worth a read - it introduces some interesting new characters, has a page-turning plot, and I think it nicely captures the attitudes and viewpoints of teenagers who are coping with high school and everything that that brings, along with the events in the book.

I recently interviewed Coben about his foray into the world of young adult fiction - keep an eye out for my New Zealand Listener feature article, which I will of course link to here, once it becomes available online. In the meantime, here's the official publisher blurb about the book:

Description

Harlan's fresh new series will link in with the storylines of his hugely popular existing thrillers as Myron Bolitar discovers that his mysterious tearaway younger brother, Brad, has a son - now teenaged. When our series hero's father, Brad, dies in a mysterious accident in South America, Myron is his closest relative left, albeit estranged, and is assigned to be his legal guardian. Will uncle and nephew be able to live with one another and will our hero be able to resist getting involved in solving a mystery disappearance at his new high school?

Author Bio
Harlan Coben was the first ever author to win all three major crime awards in the US. He is now global bestseller with his mix of powerful stand-alone thrillers and Myron Bolitar crime novels. He has appeared in the bestseller lists of The Times, the New York Times, Le Monde, Wall Street Journal and the Los Angeles Times. His books are published in over forty languages and there are more than 47 million of his novels in print worldwide. Harlan lives in New Jersey with his family.

Wednesday, September 14, 2011

Seventy per cent

At the start of this year I decided to set myself the goal, as part of a reading challenge on the Good Reads website, of reading 100 books during 2011. Last year I read 65-70, and a similar amount in 2009. For most people, this is a phenomenal amount of novel reading - and for me it's a lot, particularly when I also do so much reading of other things as part of my at time very hectic hectic job. I know there are several other bloggers, reviewers, and readers for whom 100 books a year wouldn't necessarily be that big a number. For me, however, it was a stretch, so I thought it was a good target to set myself.

As of today, I'm right on target - 70 books read. Here's the line-up so far (in reverse order), with links to my reviews or articles, where they are available online. The titles marked with a (*) are 'new to me' crime writers in 2011:

I'll follow up with some thoughts on the overall range of titles I've read so far this year, in another post soon. Feel free to share your thoughts on any of the above titles or authors. Have you read any/many of these books this year? What have been your favourite books so far in 2011? Who are your 'new to you' writers this year? What is the best debut novel you've read? Who is the author you have read the most?

Tuesday, September 13, 2011

Mini-reviews: Linwood Barclay and Mark Billingham

On Sunday, two of my recent 'mini-reviews' were published in the Herald on Sunday. Each month I take a look at three or four crime novels, usually (although not always) recently released books. Due to spacing constraints in Sunday's issue, only two of my four reviews were used this month. The other pair will be published at a later date. So here are my mini-reviews of Linwood Barclay's THE ACCIDENT and Mark Billingham's GOOD AS DEAD - a couple of interesting crime novels I read in the last few weeks.

The Accident
By Linwood Barclay (Orion, $37.99)
Former Toronto Star columnist Barclay has become the modern master of ‘suburban terror’, penning tales where very ordinary people find themselves entwined in dangerous events that spiral out of control. Glen’s construction company is in strife, thanks to the economy and a mysterious fire. His wife plans to help, but is killed in a DUI accident that she apparently caused. Glen juggles grief and anger while trying to protect his 8-year-old daughter from the fall-out, before realising something sinister is happening in his town. A cracking, stay-up-all-night page-turner packed with great characters and real emotion.

Good as Dead
By Mark Billingham (Little, Brown, $39.99)
Few if any are better than Billingham when it comes to contemporary British crime. His tenth novel to feature DI Tom Thorne finds the gritty London copper in a race-against time to save police officer Helen Weeks, who’s being held hostage by a dairy owner who’s snapped. What does the gunman want? Not money or his personal safety, but for the Police to investigate the death of his son in custody; he’s sure it wasn’t suicide. Billingham marries an exciting plot with compelling characters, and salts in a few nuggets of social commentary amongst the thrills.

These reviews were originally published in the 11 September edition of the Herald on Sunday, and are republished here with permission.
 
Have you read either book? What do you think? Do you enjoy Barclays's 'ordinary people sucked into awful situations' thrillers, and/or Billingham's long-running DI Thorne series? Do you have any suggestion for authors and novels I should incorporate into future HOS columns?

Monday, September 12, 2011

Ten years on, Connelly and others remember 9/11

While the calendar has ticked over, here in New Zealand, overseas it is still September 11 - a date that carries so much more meaning than simply a month and a number. 

A decade after the tragic events that made the day go down in history, and changed the world forever, commemorations have been held, all around the globe. Although centred on New York and Washington, DC, it was much more than an American tragedy, and it rocked the entire world. Much like my parent's generation can starkly remember where they were and what they were doing when they heard JFK had been assassinated, I think my generation will still be able to recall, well into our dotage, where we were when we heard, or saw, that planes had crashed into the World Trade Center.

In New Zealand, I'd just returned from a university party, and unable to sleep, in the wee small hours of the morning, I turned on my computer to look up some sports news etc. Bizarrely, the CNNSI sports website had a picture of smoke billowing from a skyscraper. Confused, I momentarily thought I'd put in the wrong website address. When I tried again, the same thing. Ditto the ESPN website. It dawned on me that something much bigger than sports had just happened. I raced to the lounge and turned on the TV - and then found myself tranfixed, stuck to the couch, unable to peel myself away over the next few hours. Needless to say, any effects of the earlier party wore off very quickly. I was shocked, and trying to process just what this all meant. I saw the towers come down, live, while many other Kiwis slept. I vaguely knew of a handful of people in New York, friends of friends, and worried for their safety. I was so far away, it wasn't even my country, and it just seemed so unreal, but I still felt so wound up about it, as the story unfolded as reports and more information flooded in over the hours and days ahead.

It really is something I will never forget, and nor should I. 2,977 innocent people lost their lives that day, and many hundreds of thousands more have been directly affected by the events of that day, and the consequences since.

Here in New Zealand we are of course currently hosting one of the biggest sporting events in the world, the Rugby World Cup (reportedly the third biggest sporting event, globally, after the Olympics and FIFA World Cup). It was September 11 yesterday, and the US rugby team was playing their first game. A commemorative church service was held before the game, which the US team attended, and there were also other services and memorials - such as from New Zealand fire fighters, remembering their US colleagues who fell a decade ago, trying to save the lives of others - around the country.

The New York Daily News has spoken to a number of authors, including leading crime writer Michael Connelly, about their feelings, and memories, of 9/11. Connelly had meant to be heading to Paris on 10 Sept, but was grounded in Cincinnati, so woke to the news on American soil. You can read his thoughts, and those of the other authors, in the article here.

Do you remember where you were, ten years ago?

Saturday, September 10, 2011

Review: A MAN YOU CAN BANK ON

A MAN YOU CAN BANK ON by Derek Hansen (Hachette Australia, 2011)

Reviewed by Craig Sisterson

If you like your crime fiction quirk and laced with plenty of great laughs, then this fantastic caper-style tale set in the overheated world of the Australian Outback could be just the ticket for you.

Lambert Hamilton is a bank manager in the tiny town of Munni-Munni, “population bugger all and declining”, an Outback outpost that was circling the toilet bowl until he stumbled across a robbery crew's ill-gotten gains. Was three million dollars from the great bookie robbery a huge windfall for the residents, who've worked cooperatively to improve everyone's living conditions, buy themselves white Toyotas and Jack Russells named after winning stocks. But a decade later the crims, big city cops, a rogue investigator and two hit-men are all chasing the money, converging on Munni-Munni, and causing shenanigans aplenty. Kicking up a shitstorm, so to speak.

A MAN YOU CAN BANK ON is a wonderful romp - a Carl Hiassen-esque novel doused in true blue Aussie flavour. There's disgraced former big city cop 'Stretch', newly trudging the smalltown beat and suspicious of the town's relative prosperity in an economic downturn; Davo who farms thousands of barramundi; ginger-headed, freckle-faced Mick O’Connor who believes he's the only surviving member of the original Munni-Munni people, and is keen to explore his 'Aborigine roots''; a resident robotics expert; dodgy insurance salesman Woody; two famed hitman nicknamed Irish and The Bowler; and much more.

From the eccentric characters to the evocation of smalltown rural life, Hansen keeps jabbing the reader's funny bone while the pages whir, treading the tightrope between far-fetched and farce but never crossing the line too far into unbelievable territory. A MAN YOU CAN BANK ON is hilarious and vivid, but authentic - if skipping along the lunatic fringe at times. Delightfully so.

Hansen, who was born in England and schooled in New Zealand, before working in the advertising industry and settling in Australia, evokes a great sense of Australian country life in amongst the mayhem of his spiralling story. A MAN YOU CAN BANK ON is a unique and intriguing tale, packed with eccentric characters and memorable moments that stay with you long after the final page.

4.5 STARS

Thursday, September 8, 2011

Scary Tales: a feature on Paul Cleave


Scary-tales
It wasn't that big a leap to go from writing horror to writing crime, as PAUL CLEAVE tells CRAIG SISTERSON

Looking back now, Paul Cleave realises that “a couple of things happened” in the lead-up to the turn of the millennium; key things on his road from being an unpublished horror writer with several manuscripts ‘in the bottom drawer’, to becoming an internationally-bestselling crime writer. At the time Cleave was a big horror fiction fan (he still is), having for many years devoured books by writers like Stephen King and Dean Koontz while working away on his own fantastical dark tales. “I didn’t even like crime,” he says, laughing at the memory. But then Cleave read Lee Child’s first Jack Reacher novel, and was blown away by the writing. “I thought, this is awesome, I want to write like this.” And he also read a non-fiction work by famed FBI profiler John Douglas. In his books, Douglas (who interviewed dozens of incarcerated serial killers during his FBI career) shares with readers some of the skewed mindsets of such people. “I read that and it just gave me the insight that horror [fiction] isn’t really horror,” says Cleave. “The scariest stuff in the world is true stuff, stuff that’s real, like serial killers.”

The idea of turning his writing attentions from fantastical horror to such ‘real’ horrors gained momentum when one of Cleave’s best friends asked him if he’d ever read a book written from the perspective of a serial killer (this was years before the Dexter series became popular). “I thought, man that’s a great idea, and then that day I wrote Chapter One,” recalls Cleave. Those first few pages would grow into The Cleaner, Cleave’s bestselling debut, which features Joe, a serial killer who works at the Christchurch Police Department as a seemingly mentally-challenged janitor in order to keep an eye on the investigations into his own crimes. When a killing Joe didn’t perform is linked to him, he tries to find and punish the copycat.

After its eventual release in 2006, The Cleaner became an international bestseller, receiving rave reviews and getting translated into several languages. It was particular popular in Germany, where the dark and raw tale that takes readers inside an askew mind hit #2 on the Amazon adult fiction book charts (just behind the then-latest Harry Potter book), and ended up as the #1 crime thriller title on Amazon in Germany for 2007, selling several hundred thousand copies. The Cleaner is one of the biggest and fastest-selling fiction books to ever come out of New Zealand, despite the fact it hasn’t yet been released in either the US or UK markets.

Like all Cleave’s books since, including his latest Blood Men (released in Australia last month), The Cleaner is told in first-person, through the eyes of a troubled protagonist. Taking his readers inside such minds has become something of a calling card for Cleave - each of his Christchurch-set novels is a standalone focused on the trials and tribulations of a different main character who is facing emotional turmoil: serial killer Joe with his warped view of the world in The Cleaner; blood-covered Charlie, who wakes up to the news that two women he was with the night before have been brutally murdered in The Killing Hour; and former policeman Theo Tate, who finds himself devolving into a man he’d always despised while on the hunt for a killer in Cemetery Lake.

In Blood Men, which has recently been bought by US publisher Simon & Schuster and later this year will become Cleave’s first book to be released in the United States, Edward Hunter is a happily-married family man with a great life but a dark past; he’s the son of a notorious serial killer who has been in prison for 20 years and will never be coming out. The son of a man of blood. When tragedy strikes, Edward suddenly needs the help of a man he’s spent all his life trying to distance himself from, and prove he’s not like – but as things spiral out of control Edward begins to wonder whether he’s destined to become a man of blood too. Blood Men may very well be Cleave’s best book yet; filled with his recognisable mix of dark crime peppered with sly humour, compelling characters, and exciting storylines with enough tension and interesting twists and turns to keep the pages whirring. All taking place in a well-evoked, if somewhat malevolent, version of Christchurch – a city that casts such a shadow that it has an almost character-like presence in Cleave’s books.

Cleave admits he really enjoys writing from the perspective of such troubled characters, which allows him to mix some of his own ideas and views on the world along with views that are the opposite of what he thinks. “It’s just so fun to write.” He also has fun writing about his hometown, the most English of New Zealand cities, taking the seedy underbelly he was exposed to during his years walking as a pawn broker and (somewhat) exaggerating it for effect in his stories. “I was pretty hard on Christchurch in Blood Men,” he admits. “But you don’t just want to have some sterile garden city as the setting – you really want to make it something of a shithole. It’s not what I think of it, I don’t see it like that, but my characters see it that way. And it’s a more entertaining angle to write.” It’s all part of the authenticity of getting into the minds of his main characters; in Blood Men Edward likes living in Christchurch at the start, but when tragedy strikes he begins to see another side to the city.

Originally Cleave wasn’t going to set his novels in the place where he was born, raised, and continues to live. “When I first started writing, I just made up a city… just some kind of generic US city.” But then he read some advice from Dean Koontz, one of his favourite authors, about writing what you know. “I started setting [my writing] in Christchurch, and it just changed everything. You know how things look; you know the feel of the city and how long it takes a character to get somewhere. It was just the best thing I ever did.”

Despite his growing success, Cleave remains a very laidback, down-to-earth person – a working class kid from Christchurch that’s getting to do what he loves for a living; tell stories. He takes the piss out of himself in the same way his characters mock and take the piss out of each other in his books, and he admits his sense of humour is something he tries to get through in his writing, even when the stories are dark. “It’s just how I’ve always been with my friends, being sarcastic and mocking each other, within reason… I think the humour in The Cleaner with Joe and the other characters is the only thing I have in common with him. I just think it’s more entertaining [to have humour in even dark tales], and that’s what I want to do more than anything, is entertain people.”

Ten years after he made a shift from fantastical horror to dark thrillers, Paul Cleave’s writing career is really hitting its stride. Overseas he is already the biggest name in New Zealand crime writing since the legendary Dame Ngaio Marsh, although like Marsh herself, he remains somewhat overlooked (thusfar) in his home country. But with Blood Men, and his launch in the US later this year, he could be about to get even bigger. After all, Germany is something of the canary in the coal mine for top crime fiction; in recent years both Linwood Barclay and Stieg Larsson became massively popular there, selling hundreds of thousands of copies of their books, before they were later noticed then enthusiastically embraced by UK and US readerships.

Perhaps it’s time more Australasian crime fiction fans read Cleave, finding out what Germany already knows, and the rest of the world is soon to discover…


Blood Men by Paul Cleave is published by Random House, rrp $29.95

----------------------------------------------------------------------------------------------------------------------------------

This article was originally published in print in the March 2010 issue of Good Reading magazine, and is published online here to celebrate Paul Cleave winning the 2011 Ngaio Marsh Award for Best Crime Novel, for BLOOD MEN. 

Breaking out her writing instincts: Tess Gerritsen

Last month, bestselling international crime writer Tess Gerritsen visited New Zealand, attending events at the Women's Bookshop (pictured right), the Romance Writers of New Zealand annual conference, and "Setting the Stage for Murder" (the Ngaio Marsh Award event). It was great to meet Tess, who came across as a very down-to-earth, intelligent, interesting, and fun person.

Prior to her visit, I had the pleasure of interviewing Tess for an article in the Weekend Herald, New Zealand's biggest-circulation newspaper. This morning, that article was finally put online - so all of you, wherever you are in the world, can now read it.

Breaking out her writing instincts
Doctor-turned-suspense novelist Tess Gerritsen talks to Craig Sisterson about embracing her heritage and seeing her heroines come alive onscreen.

After 22 successful novels, ranging from romantic suspense to New York Times best-selling medical and crime thrillers, Tess Gerritsen says she realised it had become time to truly embrace her own ethnicity in her work.

While she has drawn on some of her experiences as a physician in her previous books, which have sold more than 20 million copies, it wasn't until The Silent Girl, just released in New Zealand, that she strongly incorporated another important part of herself - her Chinese-American heritage.

"With my mother's health fading, I thought it was time to explore who I am and where I come from," she says. "If not now, then when?"

READ THE FULL ARTICLE ONLINE AT THE NZ HERALD WEBSITE HERE.

Comments welcome.

Wednesday, September 7, 2011

About a boy: My Life as a Book

Thanks to two excellent book bloggers, Margot of Confessions of a Mystery Novelist and Norman of Crime Scraps, I've come across the 'My Life as a Book' meme, which is a bit of harmless fun where bookloving people select titles of books they've read as the answers to a series of questions/statements about their own life. You can read more about the meme here.

I've decided to have a go today, and like Norman, will try to add a degree of difficulty, and do the best I can by only using the titles of books I've read during 2011 (68 books and counting). Also, since Margot and Norman have shared old photos of themselves, I thought I should do the same. Most of my really old photos are at my parents house in Nelson, but for now, here's one that's from my early 'glasses, braces, skinny as a rake' days at high school, hiking the Heaphy Track near Nelson in Easter 1993 (see left). Such a long time ago, haha.

So here goes with my book title answers (a word of warning, my answers here are intended to be very tongue-in-cheek, and just a bit of harmless fun):

One time at band/summer camp, I: (rafted into the) BACK OF BEYOND [by CJ Box]

Weekends at my house are: NO OPPORTUNITY WASTED [by Phil Keoghan]

My neighbour is: THE SILENT GIRL [by Tess Gerritsen]

My boss is: STILL MISSING [by Chevy Stevens]

My ex was: (a) BITTERROOT [by James Lee Burke] - just kidding.

My superhero secret identity is: RED WOLF [by Liza Marklund]

You wouldn’t like me when I’m angry because: (I'd) SHATTER THE BONES [by Stuart MacBride]

I’d win a gold medal in: SMILING, JACK [by Ken Catran] - I am very smiley.

I’d pay good money for: CARTE BLANCHE [by Jeffery Deaver]

If I were president, I would: (be warned against) A POLITICAL AFFAIR [by Andrew Porteous]

When I don’t have good books, I: (am) THE TROUBLED MAN [by Henning Mankell]

Loud talkers at the movies should be: BURIED ALIVE [by JA Kerley]

This little bit of fun has actually inspired me to do a bit more of a real or serious 'my life in books' post soon, biographically and bibliographically tracing my reading life (eg taking readers through the books/series that I loved as a child, adolescent, teen, uni student, lawyer, traveller, now writer etc). I'll try to post that in the coming days - could be fun too, reflecting on the different books and authors that I've loved at different times of my life, and how my reading has evolved etc.

So, what do you think of 'My Life as a Book'? Fire away!

Tuesday, September 6, 2011

9mm interview: Jeffery Deaver

The 9mm series has been on a bit of slow burn in the past couple of months, but don't worry, it will continue to be a regular feature here on Crime Watch.

Today, for the 56th instalment of the popular series, I am sharing my 9mm interview with another of the biggest names in the business, twist-master extraordinaire Jeffery Deaver, who visited New Zealand recently as part of a whirlwind tour in support of CARTE BLANCHE, the latest 007 novel. Before taking the reins of Ian Fleming's most famous spy, of course, Deaver was already world-renowned in his own right as a crime writer, particularly in relation to his bestselling series starring paralysed criminalist Lincoln Rhyme (played by Denzel Washington in the film adaptation of THE BONE COLLECTOR), and another series featuring CBI Agent Kathryn Dance. Personally, I've also really enjoyed Deaver's collections of short stories, appropriately entitled TWISTED and MORE TWISTED.

I was fortunate enough to be given the exclusive New Zealand pre-release interview with Deaver prior to CARTE BLANCHE hitting the shelves earlier this year. I found him very personable, and quite funny in an at-time dry, witty way, and we had a great chat about all manner of things related to James Bond, crime fiction, plot planning, twists, and more. You can read my feature article for the Sunday Star-Times, based on that interview here. You can read my full NZLawyer review of CARTE BLANCHE, along with a review by NZLawyer editor Darise Bennington of the latest Bond cocktail, created by Deaver for the new book, here.

But for now, Jeffery Deaver stares down the barrel of 9mm.

9MM AUTHOR INTERVIEW: JEFFERY DEAVER

Who is your favourite recurring crime fiction hero/detective?

Harry Bosch. I like the personality that Connelly brings to the character, and the fact I kind of relate to him.

What was the very first book you remember reading and really loving, and why?
Probably THE HOUND OF THE BASKERVILLES, because although I had some problems with the story - quite early I figured it out - I liked the character of Sherlock Holmes.

Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
Well I was a journalist, so many, many articles. Poetry, a law book.

Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?
Entertain, cook, collect wine, ski, SCUBA dive, drive fast cars on the track, and veg out with my dogs. I cook anything, I’ve cooked all my life; gourmet cooking, French cooking, I do barbeque.

What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
Go to The Cave, in Chapel Hill, it’s the alternative rock club - The Cave.

If your life was a movie, which actor could you see playing you?
Oh man, that’s a good one. I guess I would like... probably my first choice would be Kevin Spacey, because he would bring a subtlety to the relatively boring life an author leads.

Of your books, which is your favourite, and why?
GARDEN OF BEASTS, because it has the most depth, and is the kind of story that will talked about in future years when my other books aren’t anymore.

What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
My first book was called VOODOO, a Stephen King kind of occult thriller, very small print run, but when I saw it in the store, on the shelves for the first time, I took the afternoon off and went to an Oyster Wine Bar, and just enjoyed oysters and wine.

What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
A woman came up to me, a beautiful women, and asked if I would like to have a drink afterwards. I was single, she didn’t have any rings on, so I said I’d love to. And as I was walking to the door after the event, she said “I know you’re the man who can help me, because as you know, Neilsen [a TV rating company that monitors viewership] has cameras in my home, and they’ve based every sit-com and drama show on TV in the last five years on my life, and I need someone to help me expose them”. And it was at that point that the security guard came up and said, “Sally”, or Jo, or whatever her name was - I can’t remember, “Mr Deaver has to go now”. And I was just totally disappointed that clearly I wasn’t the only author that she has said to. I wasn’t special [laughing], but no, clearly she was nuts. But incredibly beautiful.

Thank you Jeffery Deaver. We appreciate you taking the time to talk to Crime Watch
 
-------------------------------------------------------------------------------------------------------------------
 
What do you think of this 9mm interview, and interviewee? Have you read CARTE BLANCHE, of any of Deaver's Lincoln Rhyme, Kathryn Dance, or standalone thrillers? Do you enjoy his twist-filled, pacy style of crime and thriller writing? What do you think of such a well-known writer taking over (for one book at least) a well-known series created by another writer? Have you watched the film adaptation of THE BONE COLLECTOR with Angelina Jolie and Denzel Washington? If so, what did you think? Comments welcome.

Reminder: Meet Ben Sanders in Takapuna tomorrow

Just a quick reminder that local crime writer Ben Sanders (THE FALLEN, BY ANY MEANS) will be appearing at the Takapuna Library on Auckland's North Shore, tomorrow night. It's great to see support for New Zealand crime writers (as well as visiting international authors) having their own events too, and hopefully a good crowd will come along to support local crime writing.

Sanders (pictured right, with Michael Connelly) is a 21-year-old Aucklander, currently studying engineering at university (college, for American readers), while writing his crime novels at night. Although seemingly young, Sanders has had a passion for crime and thriller novels since he was an adolescent, and started writing his first crime novels while still at high school. He was signed up for publication as a 19-year-old (with his third manuscript, which became a #1 New Zealand Adult Fiction Bestseller, THE FALLEN), and is now working on his third crime novel. You can read more about Sanders and his writing here:
Now readers have a chance to meet Sanders for themselves, as I will be interviewing him, on stage, at an event at the Takapuna Library tomorrow night. Here's the official spiel:

By Any Means - interview with Ben Sanders

Come along to an exciting interview with Ben Sanders.

Wednesday 7 September 2011 6.30pm
Takapuna Library
6pm: light refreshements served, 6.30pm event starts
Admission: $5 ($2 Friends of the Library)

Come along to an exciting interview as crime fiction expert, Craig Sisterson, grills 21-year-old Ben Sanders about his latest release, By Any Means, and his fascination with crime fiction.

Following the discussion will be a book signing courtesy of Paper Plus, Takapuna.

RSVP: Email Helen Woodhouse (Helen.Woodhouse@aucklandcouncil.govt.nz) or phone (09) 486 8469.

For my own part, I'd just say that if any Crime Watch readers are in the area, it would be great to see you there - the Takapuna Library always hosts great events, and it would be good to get a good crowd for a local crime writer, especially as this would of course encourage this and other venues to do more crime fiction events, including with Kiwi crime writers, in future.

ALCS to sponsor non-fiction Dagger

The Crime Writers’ Association has today (NZT) announced the new sponsors for its prestigious Dagger for Non-Fiction. The new sponsors for the annual award are The Authors' Licensing and Collecting Society (ALCS). ALCS is a membership organisation for writers and seeks to protect and promote the rights of authors writing in all disciplines and ensure they receive fair payment for their work. The Dagger for Non-Fiction is awarded in July each year.

Barbara Hayes, Chief Executive of ALCS, said: “ALCS is delighted to offer its support in sponsoring the prestigious Crime Writers’ Association’s Non-Fiction Dagger. It is part of ALCS’ remit to promote the work of all types of writers and we are delighted to be involved with the Crime Writers’ Association in promoting a genre that has captured the hearts and imaginations of British authors and readers for so long.”

Peter James, CWA Chair, said: “This is terrific news. The ALCS is an important organisation and we are delighted that they will be sponsoring next year’s award. Much is said and written about crime fiction but non-fiction is also important and needs to be recognised. This award has always sought to do that.”

This year’s winner Doug Starr, a writer from Boston in the United States (pictured, photo: Stephen B Soumerai), who won with THE KILLER OF LITTLE SHEPHERDS, published by Simon & Schuster, said: “Winning is an enormous honour, especially coming from an organisation of British writers who represent such a rich and respected tradition in the genre.”

ALCS collects fees on behalf of the whole spectrum of UK writers: novelists, film & TV script writers, poets and playwrights, freelance journalists, translators and adaptors. All writers are eligible to join ALCS.

Set up in 1977 in the wake of the original campaign for Public Lending Right (led by ALCS Honorary President – Maureen Duffy, Brigid Brophy and Lord Ted Willis among others) the Society collects fees that are difficult, time-consuming or legally impossible for writers and their representatives to claim on an individual basis: money that is nonetheless due to them. Fees collected are distributed to writers twice a year in February and August. ALCS currently has over 82,000 Members in the UK and worldwide. It has agreements with over 55 countries worldwide and has paid out over £275 million in its 34 year history. Further details on ALCS can be found at www.alcs.co.uk Contact information: ALCS, The Writers’ House, 13 Haydon Street, London, EC3N 1DB. Tel: 020 7264 5700; email: alcs@alcs.co.uk.

For more information on the CWA or the Dagger awards, please visit the website, http://www.thecwa.co.uk/ or contact media.enquiries@thecwa.co.uk.

Sunday, September 4, 2011

75 years of an American legend



I've been very fortunate in my life - over the years I've met many amazing people, made some fantastic friends, got to see many great things, have travelled to numerous amazing places, and had many unforgettable 'trip of a lifetime' type experiences. I've been truly blessed.

Since I've become a writer, I've also got to interview many interesting and highly successful people from all walks of life, from sports stars to politicians to businesspeople to filmmakers to talented authors. It's been a pleasue, an honour and a privilege to get to spend time with such people, who are truly passionate about what they do, and learn a little bit more about them, and through them, about the wider world.

Amongst my most memorable interviews was the hour I spent on the phone last year with the incomparable James Lee Burke, a true legend of the mystery writing scene. To give you a sense of Burke, here's a paragraph from my Weekend Herald feature, describing his demeanour during our interview:

"Throughout, the 73-year-old laughs easily and often, almost explosively at times. He is unfailing polite, yet not at all stuffy or formal. He answers the phone with a jovial "Is this New Zealand calling?" then tells me to call him "Jim". Down-to-earth and humble, his soft-spoken manner and measured cadence belie some strident opinions when it comes to several things he cares deeply about, including the environment, "people of humble origin", and the purpose and importance of art."

In some ways, Burke is a modern-day renaissance man - his life story includes working as a landman for the Sinclair Oil Company, as a pipeliner, land surveyor, newspaper reporter, college English professor, clerk for the Louisiana Employment Service, social worker in Los Angeles skid row, and instructor in the US Job Corps. As I noted in my Herald article, you could say there are three main threads running through Burke’s various careers: working on the land (as an oil man and surveyor); working with words (as a journalist, English professor, and novelist); and working with those less fortunate (his social work and employment-related roles). Fans of his crime novels will notice clear similarities with issues and themes consistently highlighted through his writing, especially when it comes to man’s relationship with land and resources, and the stark reality of life for those at the lower end of the economic and social spectrum.

For an hour we discussed writing, art, society, politics, life, and more.

You can read the article based on our interview here.

Now in his 75th year, Burke's latest novel, FEAST DAY OF FOOLS is about to be released. In the YouTube video above he talks a little about this novel, particularly the villain, and his work and life in general.

For me, Burke is one of the true masters of the crime, mystery and thriller genre. He is a writer that many of the other writers I interview look up to, and one who strikes his own path and style - which admittedly, is not for every reader. His books are full of elegance, word-smithery, poetry and imagery, allegory and philosophy - along with plenty of crime and violence simmering through a multi-layered gumbo of a story.

As he says in another recent YouTube video, in a way all his stories have been about the use and abuse of power. About how power is used to scare and control people - in order that people can keep power.

I hope you enjoy the short video.

Friday, September 2, 2011

Ngaio on the 'Quake Case: one-night only fundraiser

“Ngaio Marsh – Crime Queen”

A Film Screening – One Night Only

A fundraising screening for The Court Theatre
Hosted by Peter Elliott as Inspector Roderick Alleyn

When: Monday 26 September 2011, 7.30pm
Cost: $25 per ticket
Where: The Aurora Centre for The Performing Arts, cnr Greers Rd & Memorial Ave
Run time: 70 mins – plus a Q&A for 20 minutes with the film makers.

DVD’s: DVD’s of Ngaio Marsh – Crime Queen will be sold with tickets and on the night at a reduced price
Cost: $20 – with all proceeds also going to “The Shed.”

Books: Harper Collins NZ is presenting the compendium of Ngaio’s detective stories and a signed copy of Joanne Drayton’s biography of Ngaio Marsh which will be raffled. on the night. Cost: $10 per ticket (Retail value $300+)

Total package: Ticket & DVD - $45
bookings@courttheatre.org.nz or Ph: 03 963 0870

All funds raised will go to the Court Theatre’s fundraising appeal for “The Shed.”

This event is funded by Creative New Zealand.

You can read more about the film, Ngaio Marsh - Crime Queen, below.

“Ngaio Marsh – Crime Queen”

(The Unsolved Mystery)

Detective Inspector Alleyn on the case of his creator, Ngaio Marsh

Chief Inspector Roderick Alleyn (Peter Elliot), the urbane English police officer and the detective who stars in all thirty two of Ngaio Marsh’s internationally renowned best selling detective novels, comes to life to go in search of his creator, Ngaio Marsh.

In his investigation Alleyn is teased by glimpses of Ngaio as she walks down a London street, sits reflecting in a cafĂ© or slips into a radio studio for a recording. ‘Ngaio’ is adept at luring her Detective on, only to evade and escape revelation. This is a cat and mouse game played by two professionals. Who is stalking who and why? Does Ngaio want to be discovered, to finally reveal who she is behind her masks? If anyone can coax out the fact behind the fantasy, it is her Detective Inspector.

Alleyn leads the investigation into what is behind the masks and hidden in the fantasies - the contradictions and controversies of his mistress’s life. Ngaio Marsh has been the architect of his fictional world; now he explores her factual world. Does his investigation enable him to better understand the complex nature of his creator?

Does he discover that Ngaio Marsh’s fictional and factual worlds blur – or that he, a fictitious creation, is, in fact, an essential character in his mistress’s life. Ngaio Marsh – Crime Queen is on the case.

Dame Ngaio loved her city and she loved the theatre; this is her night to help out.

The filmmakers will hold a Q & A following the screening, which will include producer/director Aileen O’Sullivan, and actor Peter Elliot who features as Ngaio’s Detective Inspector Roderick Alleyn in Ngaio Marsh – Crime Queen.

NZ on Air and TVNZ funded the making of “Ngaio Marsh – Crime Queen”.

For more information contact – Ali Jones, Ali Jones PR (for The Court Theatre) on 027 247 3112

NB – Remember - $10 for raffle of Compendium of Ngaio Marsh books (ALL 32)

-----------------------------------------------------------------------------------------------------------
 
This sounds like a terrific evening out - and I'd heartily encourage anyone in the Canterbury region, or driving distance away, to head along and support a great cause. Dame Ngaio actually received her 'damery', as she called it, largely for her work with New Zealand theatre - she was a driving force behind creating a theatre culture in New Zealand, and I'm sure she would love that a documentary about herself is being used to raise funds for the Court Theatre, an iconic theatre in Canterbury that, like many other things there, has been adversely affected by the series of devastating earthquakes over the past year.

Thursday, September 1, 2011

What's in a name? Do killer book titles matter?

Thanks to my fellow Ngaio Marsh Award judge Graham Beattie of the always-informative Beattie's Book Blog, yesterday I came across an interesting blog post (from Katie Ganshert - an aspiring author from the US Midwest) about the importance of finding a great, not just good, title for your novel. In her blog post, Gansher talks about her struggle to find a great title for her first novel, and how all the options she considered had to be measured against three key criteria:
  • It has to represent the story: "I want a title that is unique and meaningful to not just a line in the book, but to the entire story," says Ganshert, who is looking for a title "chock-full of meaning".
  • It has to be intriguing: "I don't want it to sound like a million other titles already published on Amazon. I look for something different. Original. Not cliche. Something that elicits a sense of intrigue," says Ganshert, who used an example of  SUMMER SNOW (juxtaposition of snow in summer catches attention).
  • It has to sound good: "Titles shouldn't make tongues twist or noses wrinkle. They should be pleasing to read and say," says Ganshert, who is a fan of alliterative titles.
The blog post, from an author who isn't a crime writer, got me wondering about the importance of a good title for crime and thriller novels. It also got me reflecting on the titles of the most recent books I've read. In all honesty, I don't think I picked any of them from the shelf because of their title, but rather because of their author, or a recommendation, etc. But can titles be important? Like book covers can be important?

Here are some of the most recent books I've read:
  • SIX SECONDS by Rick Mofina (currently reading) - a geopolitical thriller. Clearly, six seconds refers to a race-against-the-clock aspect of the novel, although I haven't yet discovered if there is any secondary or layered meaning to the title also.
  • THE AFFAIR by Lee Child - a prequel to the Jack Reacher series, where Reacher is still an Army MP, involved in a murder case outside an army base in America's rural South. The title is simple, not that unique, but can denote a couple of different things about the book.
  • THE ACCIDENT by Linwood Barclay - another terrific 'suburban suspense' novel, that is kickstarted by, you guessed it, an accident (a DUI traffic accident) - but is it an accident?
  • RETRIBUTION by Val McDermid - the latest Tony Hill and Carol Jordan book, which sees the return of serial killer Jacko Vance who escapes from prison, and is after, that's right, retribution.
  • THE RIDGE by Michael Koryta - a supernatural thriller with plenty of interesting characters and mysterious happenings, all tied to a mountain ridge.
  • THE COLOR OF LAW by Mark Gimenez - a modern-day ode to To Kill a Mockingbird, where a high-flying wheeler-dealer Texas corporate lawyer is forced to defend a black hooker who's accused of killing an important senator's son. While issues of racism arise, as becomes clear through Gimenez's interesting legal thriller, in modern times, it's the colour of money, even more so than skin, that really segregates people now.
So it seems that most of the crime fiction titles aren't too poetic or multi-layered - they are quite direct and on point, having meaning to the story without necessarily being that unique or memorable. Does this matter? I'm not sure. I must say, I am a fan of some of James Lee Burke's novel titles - PURPLE CANE ROAD, INTO THE ELECTRIC MIST WITH CONFEDERATE DEAD, CIMARRON ROSE, CADILLAC JUKEBOX, etc - I really do love the poetry and 'sound' of those titles, which always end up having some meaning tied into the story, although not always what you expect. But I don't think it necessarily harms most other crime fiction titles from not having that same level of uniqueness or poetic 'sound'. What do you think?

I did have a period of reading last year where it seemed almost every book I read had 'Blood' somewhere in the title - but I guess with crime fiction certain words, or images, will of course crop up again and again.

Then of course there are some authors who have themed titles throughout a series - for example, James Patterson's earlier Alex Cross novels all had the nursery rhyme/children's poem or song element - ROSES ARE RED, KISS THE GIRLS, ALONG CAME A SPIDER, POP GOES THE WEASEL etc. And sopme of Val McDermid's novels have titles taken in part from poems by TS Eliot - WIRE IN THE BLOOD, THE MERMAID'S SINGING, etc.

Does a good title matter? Or only if you are a lesser-known author? As a reader, are you drawn to a title, like you might be to a cover (meaning you might pick a book up, or investigate it more online, potentially giving the author more chance to convince you to buy it)? Does it matter more for some types of novels than others? What are your favourite crime titles? I'd love to get your opinions and examples on this matter.