Last year, I wrote a long feature article for New Zealand Author magazine about the depth and breadth of contemporary New Zealand crime, mystery, and thriller writing - taking readers through a tiki tour of our country as I looked at the various regions where local crime writers were based, or set their stories.
At the time, I noted that the one large area that seemed near-completely untapped was the Central North Island: "The regions between our biggest city and our capital city currently provide slimmer pickings when it comes to contemporary crime fiction, despite what would seem like a plethora of intriguing landscapes, geographic and demographic, and issues that could provide great fodder and colour for a well-told thriller story."
Well, it seems I spoke too soon, as the very month my article was published, so was a crime novel set in the forested heart of Te Ika-a-Māui (the North Island): BUCKINBAH WEIR by Wayne Brooking.
BUCKINBAH WEIR is a contemporary mystery set in the forestry backblocks of New Zealand's central North Island. A weir on a forest creek has been the scene of a series of strange murders stretching back to the early 1900s that have never been solved. With the murders occurring intermittently over a long period of time, local people in the small settlements nearby have their own suspicions and theories as to who- or what - may lie behind the heinous crimes, but no one really knows why they keep happening, or when the killer will strike again.
A young Australian journalist and an Aboriginal photographer are visiting the area to cover a major eruption at Mt Ruapehu. When the journalist reads about the murders, she realises the potential for a big scoop, and decides to investigate. Could there really be a link between all of the crimes, even though they have been committed over a period of nearly 100 years? And can the investigators unravel the mystery without becoming the killer's next victims?
Brooking, a plumber for the Kawerau District Council, wrote the crime novel at night over several years - never telling anyone beyond his immediate family that he was working on a novel. He told the local "The Council" newsletter that the response from Kawerau locals purchasing his book, and their feedback that it's "a jolly good read" has made all the hard work, long nights, and knock-backs, worthwhile. You can also read more about Brooking and his debut novel in an article in the Whakatane Beacon, here.
I think the Central North Island would be a wonderful setting for crime fiction, so I'm looking forward to reading BUCKINBAH WEIR (National Pacific Press, $29.99). You can order it from various independent booksellers, or email Brooking directly on huhana@xtra.co.nz if you'd like to purchase a signed copy.
Wednesday, February 29, 2012
Save the date: 30 August to 2 September 2012
I'm pleased to share that the dates for the 2012 The Press Christchurch Writers Festival have been announced - 30 August to 2 September 2012. After many setbacks due to the devastating earthquakes suffered by the city in the past 18 months (including the cancellation of the 2010 festival, where the inaugural Ngaio Marsh Award for Best Crime Novel was originally to be presented), organisers are looking forward to being back in the city in the New Zealand spring this year.
It'll be great to see such a terrific celebration of books and writing back in Christchurch this year, and I understand there should also be plenty on the menu for fans of crime writing. More details to come about that in due course. You can keep up to date with the news and announcements about this year's programme at the festival's own website here, and by signing up for their newsletter here.
I will of course keep Crime Watch readers up to date with any announcements in relation to the crime writing events to be held at this year's festival, as and when particular international and New Zealand authors and events are confirmed.
To whet your appetite, there is also a terrific event next week with Norwegian crime writer Jo Nesbo, as part of The Press Literary Liaisons series, which doubles as a fundraising event for the upcoming festival. So if you're anywhere near Christchurch next week, make sure you head along to meet Jo Nesbo - and regardless of where you are, keep the 30 August to 2 September in mind for a visit to this great, recovering, city.
It is the home of Dame Ngaio, after all.
It'll be great to see such a terrific celebration of books and writing back in Christchurch this year, and I understand there should also be plenty on the menu for fans of crime writing. More details to come about that in due course. You can keep up to date with the news and announcements about this year's programme at the festival's own website here, and by signing up for their newsletter here.
I will of course keep Crime Watch readers up to date with any announcements in relation to the crime writing events to be held at this year's festival, as and when particular international and New Zealand authors and events are confirmed.
To whet your appetite, there is also a terrific event next week with Norwegian crime writer Jo Nesbo, as part of The Press Literary Liaisons series, which doubles as a fundraising event for the upcoming festival. So if you're anywhere near Christchurch next week, make sure you head along to meet Jo Nesbo - and regardless of where you are, keep the 30 August to 2 September in mind for a visit to this great, recovering, city.
It is the home of Dame Ngaio, after all.
Labels:
events
Tuesday, February 28, 2012
9mm interview with William Deverell
Welcome to Crime Watch's 1000th post. It's weird to think that I've written 1000 blog posts about crime fiction in the past two and a half years, in addition to all the reviews and features I've written elsewhere. Amazing how quickly things can add up.
To mark the occasion, I'm very pleased to bring you my recent 9mm interview with doyen of Canadian crime writing William Deverell. While Canadian crime writers such as Linwood Barclay, Rick Mofina, Chevy Stevens, Alan Bradley and Louise Penny may have garnered broader attention internationally in recent times, Deverell is a living legend of Canadian literature. After working as a journalist, Deverell mixed careers as a trial attorney and novelist, publishing his debut novel, NEEDLES, in 1979. A literary page-turner that took the reader into the seedy underground of crooked cops, drug lords, and a super-charged courtroom scene, Deverell's debut won the Seal Prize, the Book of the Year Award, and sold more than 250,000 copies.
In the thirty-plus years since, Deverell worked as a criminal lawyer, activist, and novelist - publishing more than a dozen more novels, a true crime book, and also writing for television (including the pilot for CBC's Street Legal). He has won the Arthur Ellis Award twice, received the Best Canadian Crime Writer Award, and won the Dashiell Hammett Award for Literary Excellence in Crime Writing.
I had the pleasure and privilege of meeting Deverell at a Crime Writers Canada event in Vancouver in April 2008, and chatting to him a little after the event. Like his writing, he's a very interesting, engaging and articulate man. I remember asking him a question about the importance of good writing in crime writing, not just exciting plots. In a way it was that event, and meeting the likes of Deverell, that sparked then set me on my path to reviewing crime fiction, starting this blog, interviewing and establishing the Ngaio Marsh Award for Best Crime Novel after I returned to New Zealand later that year. So, in a roundabout way it's a nice coincidence that my 1000th post ends up being an interview with Deverell.
You can read more about William Deverell at his website here, and my Crime Fiction Alphabet post here. But for now, he faces down the barrel of 9mm, as the 59th instalment in a series that probably wouldn't even be around if it wasn't for a discussion with him almost four years ago.
9MM: AN INTERVIEW WITH WILLIAM DEVERELL
Who is your favourite recurring crime fiction hero/detective?
Sherlock Holmes, whose author, btw, has recently recurred in Arthur and George, by Julian Barnes.
What was the very first book you remember reading and really loving, and why?
Probably the Wizard of Oz, possibly one of the Lone Ranger or Tarzan series. As I entered my teen years: The Grapes of Wrath (masterful prose, a powerful social-political drama that appealed to a young lefty radical).
Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
Fiction? A couple of short stories that went nowhere, but I'd been a reporter/editor/columnist for six years while working my way through law school.
Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise
Delete the latter two categories from my like-list. Reading, hiking, biking, laughing, getting high.
What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
I have two home towns. Pender Island BC. The unaware tourists miss out on the secret trails to the hidden beaches and to the mesas and bluffs with their breathtaking views. Manuel Antonio, Costa Rica. The unaware tourists miss out on the secret trails to secret trails to the hidden beaches and to the mesas and bluffs with their breathtaking view.
If your life was a movie, which actor could you see playing you?
Paul Newman.
Of your books, which is your favourite, and why?
I'll See You in My Dreams. Because it's the deepest, and with the strongest social message.
What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
I won the $50,000 Seal First Novel Award with Needles, so I'll leave you to guess my reaction.
What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Too many, not enough space, so I'll content myself with the TV interviewer who mixed me up (live) with the author still waiting in the Green Room, a veterinarian, and who asked me to describe my most interesting encounters with sick dogs.
Thank you William Deverell, we appreciate you taking the time to talk to Crime Watch.
-------------------------------------------------------------------------------------------------------------
Have you read any of William Deverell's Arthur Beauchamp tales, or his books? Watched Street Legal? What do you think of his mix of courtroom drama, social environmental issues, and literary stylings?
To mark the occasion, I'm very pleased to bring you my recent 9mm interview with doyen of Canadian crime writing William Deverell. While Canadian crime writers such as Linwood Barclay, Rick Mofina, Chevy Stevens, Alan Bradley and Louise Penny may have garnered broader attention internationally in recent times, Deverell is a living legend of Canadian literature. After working as a journalist, Deverell mixed careers as a trial attorney and novelist, publishing his debut novel, NEEDLES, in 1979. A literary page-turner that took the reader into the seedy underground of crooked cops, drug lords, and a super-charged courtroom scene, Deverell's debut won the Seal Prize, the Book of the Year Award, and sold more than 250,000 copies.
In the thirty-plus years since, Deverell worked as a criminal lawyer, activist, and novelist - publishing more than a dozen more novels, a true crime book, and also writing for television (including the pilot for CBC's Street Legal). He has won the Arthur Ellis Award twice, received the Best Canadian Crime Writer Award, and won the Dashiell Hammett Award for Literary Excellence in Crime Writing.
I had the pleasure and privilege of meeting Deverell at a Crime Writers Canada event in Vancouver in April 2008, and chatting to him a little after the event. Like his writing, he's a very interesting, engaging and articulate man. I remember asking him a question about the importance of good writing in crime writing, not just exciting plots. In a way it was that event, and meeting the likes of Deverell, that sparked then set me on my path to reviewing crime fiction, starting this blog, interviewing and establishing the Ngaio Marsh Award for Best Crime Novel after I returned to New Zealand later that year. So, in a roundabout way it's a nice coincidence that my 1000th post ends up being an interview with Deverell.
You can read more about William Deverell at his website here, and my Crime Fiction Alphabet post here. But for now, he faces down the barrel of 9mm, as the 59th instalment in a series that probably wouldn't even be around if it wasn't for a discussion with him almost four years ago.
9MM: AN INTERVIEW WITH WILLIAM DEVERELL
Who is your favourite recurring crime fiction hero/detective?
Sherlock Holmes, whose author, btw, has recently recurred in Arthur and George, by Julian Barnes.
What was the very first book you remember reading and really loving, and why?
Probably the Wizard of Oz, possibly one of the Lone Ranger or Tarzan series. As I entered my teen years: The Grapes of Wrath (masterful prose, a powerful social-political drama that appealed to a young lefty radical).
Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
Fiction? A couple of short stories that went nowhere, but I'd been a reporter/editor/columnist for six years while working my way through law school.
Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise
Delete the latter two categories from my like-list. Reading, hiking, biking, laughing, getting high.
What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
I have two home towns. Pender Island BC. The unaware tourists miss out on the secret trails to the hidden beaches and to the mesas and bluffs with their breathtaking views. Manuel Antonio, Costa Rica. The unaware tourists miss out on the secret trails to secret trails to the hidden beaches and to the mesas and bluffs with their breathtaking view.
If your life was a movie, which actor could you see playing you?
Paul Newman.
Of your books, which is your favourite, and why?
I'll See You in My Dreams. Because it's the deepest, and with the strongest social message.
What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
I won the $50,000 Seal First Novel Award with Needles, so I'll leave you to guess my reaction.
What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Too many, not enough space, so I'll content myself with the TV interviewer who mixed me up (live) with the author still waiting in the Green Room, a veterinarian, and who asked me to describe my most interesting encounters with sick dogs.
Thank you William Deverell, we appreciate you taking the time to talk to Crime Watch.
-------------------------------------------------------------------------------------------------------------
Have you read any of William Deverell's Arthur Beauchamp tales, or his books? Watched Street Legal? What do you think of his mix of courtroom drama, social environmental issues, and literary stylings?
Labels:
9mm interview,
canadian crime
Review: NEVER KNOWING by Chevy Stevens
NEVER KNOWING by Chevy Stevens (Allen & Unwin, 2011)
Reviewed by Craig Sisterson
Canadian author Stevens stormed onto the crime writing scene with her excellent debut, Still Missing, and has now followed that up with another cracking psychological thriller, Never Knowing.
Sara Gallagher has always wondered why she was given up for adoption, and struggled with feeling different to her family. She often shoulders the problems of her world, blaming herself. She suffers migraines and pressure from her family and life. Now 33, she's found some happiness with her antiques restoration business and engagement to a wonderful man. Even if he spends too much time off in the woods.
But the question of who she is and where she comes from continues to niggle her; she's ready to find out. After months of research she locates her birth mother, only to face rejection, then discover an even more horrifying truth: she is a child of rape, her birth mother the sole survivor of "the Camp Killer", a serial killer still on the loose.
A man who has been hunting women every summer for forty years.
Shell-shocked by the unexpected turn of events, Sara turns to her therapist Nadine (who appeared in Still Missing) to work through what she's learned, wondering just how much she has inherited from her parents. Is the child of a psychopath destined to become a psychopath herself? Then her father reaches out to her, having seen the story of her search online.
Never Knowing is an absorbing, tense read from a fine author. Stevens utilises Sara's therapy sessions with Nadine as a device to deliver the story: with chapters being different doctor sessions. It's a different technique that could fall flat or take away from the plot and characters (and for some readers may well do so), but for me, Stevens uses it deftly, as first we're drawn into the character of Sara - a very intriguing women with lots going on beneath the surface - and then the thriller plot begins to ratchet up significantly in the latter stages of the story. I was hooked from early on, and although sometimes I wondered why characters were taking certain actions, it was all largely very believable within the world of the tale.
An imaginative and gripping tale which is as much about a woman's search for herself as the hunt for a killer.
Reviewed by Craig Sisterson
Canadian author Stevens stormed onto the crime writing scene with her excellent debut, Still Missing, and has now followed that up with another cracking psychological thriller, Never Knowing.
Sara Gallagher has always wondered why she was given up for adoption, and struggled with feeling different to her family. She often shoulders the problems of her world, blaming herself. She suffers migraines and pressure from her family and life. Now 33, she's found some happiness with her antiques restoration business and engagement to a wonderful man. Even if he spends too much time off in the woods.
But the question of who she is and where she comes from continues to niggle her; she's ready to find out. After months of research she locates her birth mother, only to face rejection, then discover an even more horrifying truth: she is a child of rape, her birth mother the sole survivor of "the Camp Killer", a serial killer still on the loose.
A man who has been hunting women every summer for forty years.
Shell-shocked by the unexpected turn of events, Sara turns to her therapist Nadine (who appeared in Still Missing) to work through what she's learned, wondering just how much she has inherited from her parents. Is the child of a psychopath destined to become a psychopath herself? Then her father reaches out to her, having seen the story of her search online.
Never Knowing is an absorbing, tense read from a fine author. Stevens utilises Sara's therapy sessions with Nadine as a device to deliver the story: with chapters being different doctor sessions. It's a different technique that could fall flat or take away from the plot and characters (and for some readers may well do so), but for me, Stevens uses it deftly, as first we're drawn into the character of Sara - a very intriguing women with lots going on beneath the surface - and then the thriller plot begins to ratchet up significantly in the latter stages of the story. I was hooked from early on, and although sometimes I wondered why characters were taking certain actions, it was all largely very believable within the world of the tale.
An imaginative and gripping tale which is as much about a woman's search for herself as the hunt for a killer.
Labels:
canadian crime,
review
Saturday, February 25, 2012
Under construction
As you'll be able to see, Crime Watch is going through a bit of an overhaul and facelift. With almost 1000 posts under my belt in around two and a half years, it seemed a good time to perhaps try to make this website a better experience for readers, so I'll be changing a few things over the coming days.
I really appreciate all of you who read, follow, share, comment, and otherwise interact with Crime Watch. If there are things that you would like to see more (or less) of on Crime Watch - whether it's reviews, author interviews, features, New Zealand crime writing, overseas authors and books, events, news, analysis and discussion - please let me know and I'll take all of your feedback into account with the renovations.
Please share your thoughts about the new look, and what you'd like to see/read in future.
I really appreciate all of you who read, follow, share, comment, and otherwise interact with Crime Watch. If there are things that you would like to see more (or less) of on Crime Watch - whether it's reviews, author interviews, features, New Zealand crime writing, overseas authors and books, events, news, analysis and discussion - please let me know and I'll take all of your feedback into account with the renovations.
Please share your thoughts about the new look, and what you'd like to see/read in future.
Friday, February 24, 2012
A sneak peak at the upcoming "Headhunters" film
As I've noted a few times, Norwegian crime writing superstar Jo Nesbø is touring New Zealand next month in support of his latest Harry Hole novel PHANTOM, and the cinematic release of a film adaptation of his standalone art heist thriller HEADHUNTERS. Nesbø will be attending events in Auckland, Wanaka, Christchurch, and Wellington, and in each city there will be a preview screening of "Headhunters" (see full tour itinerary here). Now, you can watch the trailer for the film:
It certainly looks pretty exciting!
I enjoyed reading HEADHUNTERS last year, and I'm looking forward to watching the movie in a couple of weeks time. As Nesbø recently told me during our interview for a large feature in the New Zealand Listener, he doesn't know where the inspiration for HEADHUNTERS came from.“When you write songs, sometimes you struggle for weeks and weeks, and sometimes you write one in 20 minutes. And this was a 20-minute song. I woke up one morning, I was just lying there, and I just came up with the idea. It was like it was there, already finished.”
At the time, Nesbø was between Harry Hole books, and looking for a break from his detective. He wrote HEADHUNTERS quickly, and that sense of pace carries through into the book (and hopefully, also the movie - which has been very successful in Europe). “If it reads like easy work, that’s how the writing was, too,” Nesbø told me. “It’s not too complicated, it’s got more humour probably than the Harry Hole books, and it’s like an Ocean’s 11 feeling, it’s playful, not really serious. It was fun to write.”
Hat tip to Karen from EuroCrime about the trailer being available.
It certainly looks pretty exciting!
I enjoyed reading HEADHUNTERS last year, and I'm looking forward to watching the movie in a couple of weeks time. As Nesbø recently told me during our interview for a large feature in the New Zealand Listener, he doesn't know where the inspiration for HEADHUNTERS came from.“When you write songs, sometimes you struggle for weeks and weeks, and sometimes you write one in 20 minutes. And this was a 20-minute song. I woke up one morning, I was just lying there, and I just came up with the idea. It was like it was there, already finished.”
At the time, Nesbø was between Harry Hole books, and looking for a break from his detective. He wrote HEADHUNTERS quickly, and that sense of pace carries through into the book (and hopefully, also the movie - which has been very successful in Europe). “If it reads like easy work, that’s how the writing was, too,” Nesbø told me. “It’s not too complicated, it’s got more humour probably than the Harry Hole books, and it’s like an Ocean’s 11 feeling, it’s playful, not really serious. It was fun to write.”
Hat tip to Karen from EuroCrime about the trailer being available.
Labels:
nordic noir,
screen crime
Kiwi actor to play Spanish detective
Various British newspapers have been reporting this week that New Zealand actor Marton Csokas has been tapped to play Spanish chief inspector Javier Falcón in a television adaptation of the novels by Robert Wilson. Csokas, who New Zealanders may still remember as the nerdy "Leonard" on our long-running TV soap Shortland Street, is better known internationally for his work in The Lord of the Rings (as Celeborn), The Bourne Supremecy (as Jarda), xXx (as Yorgi), Kingdom of Heaven (as Guy de Lusignan), and recently The Debt (as Young Stephan, opposite Helen Mirren), amongst many other film roles.
Csokas's Falcon is on the track of a brutal killer in Falcón: The Blind Man Of Seville, which is being shot in Spain now, directed by Pete Travis (Endgame) and written by Stephen Butchard (House of Saddam). It follows Falcon’s investigation into a brutal killing which stirs up forgotten memories for the detective. As he investigates the crime he finds himself drawn to the widow of the victim.
Joining Csokas in the TV adaptation are Fifth Element star Charlie Creed-Miles, Hayley Atwell (Captain America), Emilia Fox (Silent Witness) and Kerry Fox (Cloudstreet). Bernard Hill (Titanic) and Santiago Cabrera (Heroes, Merlin) will also star in the series.
Reportedly, Falcon is Sky Atlantic's second homegrown UK drama commission, will be distributed internationally by ITV Studios Global Entertainment, and is part of Sky’s commitment to increase its investment in original British content by 50 per cent over the next three years. By 2014, the company expects to invest £600 million a year in British programmes across its portfolio of channels.
Have you read the Falcon books? What do you think about a TV adaptation?
Csokas's Falcon is on the track of a brutal killer in Falcón: The Blind Man Of Seville, which is being shot in Spain now, directed by Pete Travis (Endgame) and written by Stephen Butchard (House of Saddam). It follows Falcon’s investigation into a brutal killing which stirs up forgotten memories for the detective. As he investigates the crime he finds himself drawn to the widow of the victim.
Joining Csokas in the TV adaptation are Fifth Element star Charlie Creed-Miles, Hayley Atwell (Captain America), Emilia Fox (Silent Witness) and Kerry Fox (Cloudstreet). Bernard Hill (Titanic) and Santiago Cabrera (Heroes, Merlin) will also star in the series.
Reportedly, Falcon is Sky Atlantic's second homegrown UK drama commission, will be distributed internationally by ITV Studios Global Entertainment, and is part of Sky’s commitment to increase its investment in original British content by 50 per cent over the next three years. By 2014, the company expects to invest £600 million a year in British programmes across its portfolio of channels.
Have you read the Falcon books? What do you think about a TV adaptation?
Labels:
screen crime
Thursday, February 23, 2012
Introducing "The Listener Book Club"
Regular readers of Crime Watch will be aware that I sporadically write feature articles about crime writers for the New Zealand Listener, arguably our country's most acclaimed magazine. My fellow Ngaio Marsh Award judge Bernard Carpinter writes the monthly crime fiction round-up for the magazine (read his latest column here - some cracking reads for February).
Today, the Listener has announced some very exciting news about a brand new venture in association with Booksellers NZ: the establishment of "The Listener Book Club", which officially launches next Friday, 2 March 2012.
Both Megan Dunn, Projects Manager for Booksellers NZ, and Guy Somerset, Arts & Books Editor for the Listener, had been contemplating establishing a nationwide book club - so now they've joined forces to bring something quite cool to readers.
Working on a four-week cycle, one book each month will be discussed in a variety of ways: the Listener will kick off with a lively interview in the magazine and online with the author of the selected book. In week two, a podcast of three booksellers talking about the book hosted by either Guy or Megan will be available online. The podcast material will live on The Listener website, and the Booksellers’ site will carry links. In week three there will be online written conversation and commentary from a real book club, and then in week four of the cycle, there will be a reviewer’s take on the book, both in the magazine and online, plus reader comment and reaction on Twitter, other social media and the Listener Book Club webpage, hosted by The Listener with Booksellers New Zealand input. It’s a chance for readers to have a say!
Also in week four, the cycle begins again, with the announcement to the public of the next book club title... and the author interview the following week starts week one of the next month’s activity.
Importantly, unlike some media-led book clubs abroad, The Listener Book Club is not tied to any particular e-buying set up run by the publication - instead, it encourages readers to source and purchase from their local independent bookstores.
You can read more about The Listener Book Club, including comments from Megan Dunn and Guy Somerset, in the official Booksellers NZ press release here.
Of course, I'm hoping that over the course of the coming months a couple of crime novels might be included in the monthly selections (perhaps even a New Zealand crime novel) - and on that front, things are starting off pretty well with today's announcement that the very first 'book of the month', so to speak, for The Listener Book Club is BEFORE I GO TO SLEEP by SJ Watson.
Somerset says the first book choice is “A classy literary thriller about identity and what it means to be human. It is something people can get their teeth into with issues that will provoke discussion.”
He encourages New Zealanders to read the selected books, and participate in the discussions. “Join in the conversation on our website and Twitter http://twitter.com/#!/nzlbookclub] and keep an eye out for the hashtag #nzlbookclub. Our mission is to always choose books that will give you plenty to think and talk about.” There is also a Facebook page: New Zealand Listener Book Club.
But hey, in this age of innovation and technology, and the breaking down of geographic boundaries online, there's no reason why some of our international Crime Watch readers can't also join in with The Listener Book Club, and share their thoughts on the monthly selections on the Facebook page and elsewhere. I'm sure plenty of you have read BEFORE I GO TO SLEEP, and might like to share your opinions with New Zealand readers and others.
Today, the Listener has announced some very exciting news about a brand new venture in association with Booksellers NZ: the establishment of "The Listener Book Club", which officially launches next Friday, 2 March 2012.
Both Megan Dunn, Projects Manager for Booksellers NZ, and Guy Somerset, Arts & Books Editor for the Listener, had been contemplating establishing a nationwide book club - so now they've joined forces to bring something quite cool to readers.
Working on a four-week cycle, one book each month will be discussed in a variety of ways: the Listener will kick off with a lively interview in the magazine and online with the author of the selected book. In week two, a podcast of three booksellers talking about the book hosted by either Guy or Megan will be available online. The podcast material will live on The Listener website, and the Booksellers’ site will carry links. In week three there will be online written conversation and commentary from a real book club, and then in week four of the cycle, there will be a reviewer’s take on the book, both in the magazine and online, plus reader comment and reaction on Twitter, other social media and the Listener Book Club webpage, hosted by The Listener with Booksellers New Zealand input. It’s a chance for readers to have a say!
Also in week four, the cycle begins again, with the announcement to the public of the next book club title... and the author interview the following week starts week one of the next month’s activity.
Importantly, unlike some media-led book clubs abroad, The Listener Book Club is not tied to any particular e-buying set up run by the publication - instead, it encourages readers to source and purchase from their local independent bookstores.
You can read more about The Listener Book Club, including comments from Megan Dunn and Guy Somerset, in the official Booksellers NZ press release here.
Of course, I'm hoping that over the course of the coming months a couple of crime novels might be included in the monthly selections (perhaps even a New Zealand crime novel) - and on that front, things are starting off pretty well with today's announcement that the very first 'book of the month', so to speak, for The Listener Book Club is BEFORE I GO TO SLEEP by SJ Watson.
Somerset says the first book choice is “A classy literary thriller about identity and what it means to be human. It is something people can get their teeth into with issues that will provoke discussion.”
He encourages New Zealanders to read the selected books, and participate in the discussions. “Join in the conversation on our website and Twitter http://twitter.com/#!/nzlbookclub] and keep an eye out for the hashtag #nzlbookclub. Our mission is to always choose books that will give you plenty to think and talk about.” There is also a Facebook page: New Zealand Listener Book Club.
But hey, in this age of innovation and technology, and the breaking down of geographic boundaries online, there's no reason why some of our international Crime Watch readers can't also join in with The Listener Book Club, and share their thoughts on the monthly selections on the Facebook page and elsewhere. I'm sure plenty of you have read BEFORE I GO TO SLEEP, and might like to share your opinions with New Zealand readers and others.
Labels:
news review
Review: BACK OF BEYOND by CJ Box
Review: BACK OF BEYOND by CJ Box (Corvus, 2011)
While many crime novels nowadays are set in bustling metropolises where the populace is large but the connections are few, where humanity constantly collides in a series of minor, near-anonymous interactions, Edgar Award-winning CJ Box has built an impressive career with mysteries and thrills set amongst the small towns, vast expanses, and rugged beauty of America’s rural and backcountry areas.
Along with his terrific series starring Wyoming game warden Joe Pickett, Box has penned some impressive standalones (BLUE HEAVEN and THREE WEEKS TO SAY GOODBYE). This recent novel brings back Cody Hoyt, the maverick, alcoholic cop first seen in that latter book. Hoyt is now living in the Montana mountains, struggling with the mess he’s made of his life; he’s two months sober, divorced, disliked and distrusted by many, and barely sees the son he loves. Things get worse when a body is found in a burned cabin in the woods, and Hoyt realises it’s his AA sponsor Hank Winters, the only man who’s kept him off the ledge recently. Despite initial evidence to the contrary, Hoyt can’t believe Winters fell off the wagon and was burned to death in an alcoholic stupor, accident or suicide.
Determined to find a killer others don’t even believe exists, Hoyt digs himself into an even deeper hole when he shoots and wounds the county coroner in a botched stakeout, and is suspended from duty. Badge or not badge, Hoyt can’t let go, and is driven to find justice for one of his only friends – and perhaps, in doing so, a small measure of salvation for himself.
When clues point Hoyt in the direction of an outfitter leading a multi-day horseback trek, a trip that includes Hoyt’s estranged son, he – and the novel – shifts focus to the remote ‘back of beyond’ that is the magnificent, rugged landscapes of Yellowstone National Park. On the hunt for a killer disguised amongst the motley crew of tourists. A killer that is far too close to the only thing that Hoyt really cares about in his downward-spiralling life.
Overall, BACK OF BEYOND has all the tension, twists and intrigue you want from a good crime novel, while elevating itself ‘above the pack’ thanks to the author’s great touch for setting and compelling, layered characters. Hoyt is an intriguing and well-drawn, if not that likeable, character. While he has plenty of the 'maverick, alcoholic cop' stuff that on the surface could make him a cliche, there is a sense of something deeper in Box's portrayal of Hoyt. An arc, a perspective that creeps up on the reader.
The book lulls a bit for a brief period as it switches from Hoyts misadventures following Winters' death to the pursuit through Yellowstone, as an intriguing cast of characters on the horse trek are introduced and we adjust to their layered interactions. But Box gives readers a terrific sense of Yellowstone, especially its mix of beauty and danger (with or without the added human element). Box’s wilderness isn’t just a pristine or spectacular backdrop, a natural curtain in front of which the action is played out – it’s layered and textured itself; Mother Nature in all its vim and volatility. It’s clear that Box has a real appreciation and understanding of the great outdoors, which comes through in the authentic evocation of the landscapes.
An enjoyable read.
---------------------------------------------------------------------------
This book represents 'Montana' in my USA Fiction Challenge
Related content:
While many crime novels nowadays are set in bustling metropolises where the populace is large but the connections are few, where humanity constantly collides in a series of minor, near-anonymous interactions, Edgar Award-winning CJ Box has built an impressive career with mysteries and thrills set amongst the small towns, vast expanses, and rugged beauty of America’s rural and backcountry areas.
Along with his terrific series starring Wyoming game warden Joe Pickett, Box has penned some impressive standalones (BLUE HEAVEN and THREE WEEKS TO SAY GOODBYE). This recent novel brings back Cody Hoyt, the maverick, alcoholic cop first seen in that latter book. Hoyt is now living in the Montana mountains, struggling with the mess he’s made of his life; he’s two months sober, divorced, disliked and distrusted by many, and barely sees the son he loves. Things get worse when a body is found in a burned cabin in the woods, and Hoyt realises it’s his AA sponsor Hank Winters, the only man who’s kept him off the ledge recently. Despite initial evidence to the contrary, Hoyt can’t believe Winters fell off the wagon and was burned to death in an alcoholic stupor, accident or suicide.
Determined to find a killer others don’t even believe exists, Hoyt digs himself into an even deeper hole when he shoots and wounds the county coroner in a botched stakeout, and is suspended from duty. Badge or not badge, Hoyt can’t let go, and is driven to find justice for one of his only friends – and perhaps, in doing so, a small measure of salvation for himself.
When clues point Hoyt in the direction of an outfitter leading a multi-day horseback trek, a trip that includes Hoyt’s estranged son, he – and the novel – shifts focus to the remote ‘back of beyond’ that is the magnificent, rugged landscapes of Yellowstone National Park. On the hunt for a killer disguised amongst the motley crew of tourists. A killer that is far too close to the only thing that Hoyt really cares about in his downward-spiralling life.
Overall, BACK OF BEYOND has all the tension, twists and intrigue you want from a good crime novel, while elevating itself ‘above the pack’ thanks to the author’s great touch for setting and compelling, layered characters. Hoyt is an intriguing and well-drawn, if not that likeable, character. While he has plenty of the 'maverick, alcoholic cop' stuff that on the surface could make him a cliche, there is a sense of something deeper in Box's portrayal of Hoyt. An arc, a perspective that creeps up on the reader.
The book lulls a bit for a brief period as it switches from Hoyts misadventures following Winters' death to the pursuit through Yellowstone, as an intriguing cast of characters on the horse trek are introduced and we adjust to their layered interactions. But Box gives readers a terrific sense of Yellowstone, especially its mix of beauty and danger (with or without the added human element). Box’s wilderness isn’t just a pristine or spectacular backdrop, a natural curtain in front of which the action is played out – it’s layered and textured itself; Mother Nature in all its vim and volatility. It’s clear that Box has a real appreciation and understanding of the great outdoors, which comes through in the authentic evocation of the landscapes.
An enjoyable read.
---------------------------------------------------------------------------
This book represents 'Montana' in my USA Fiction Challenge
Related content:
Labels:
Reading Challenge,
review
Wednesday, February 22, 2012
Holmes Alone: an improvised murder mystery
Never fear crime fans, although the excellent New Zealand Crime Writing event at the 2012 Waikato Times Hamilton Garden Arts Festival has now been and gone, there is still some mystery-related content on offer at the festival in the coming days.
As part of the Theatre section of the festival, comedian Greg Ellis steps into the shoes of the greatest detective of all time, Sherlock Holmes, to solve a completely improvised murder mystery in under an hour - all by himself.
A great night of comedy for folk who love Holmes, loathe him or just want a good laugh from one of New Zealand's top improvised comics.
"Holmes Alone" is being performed at 6pm in the Victorian Garden Conservatory in Hamilton on both Friday 24 and Saturday 25 February (ie this Friday and Saturday). Tickets are only $20 ($15 concession), for what should be a fun night out.
I've seen plenty of improvised comedy in New Zealand, Canada, and the United States, and this type of 'long form narrative improv' is really something to see. So if you're anywhere near Hamilton, make sure to head along and check it out. You can purchase tickets here.
As part of the Theatre section of the festival, comedian Greg Ellis steps into the shoes of the greatest detective of all time, Sherlock Holmes, to solve a completely improvised murder mystery in under an hour - all by himself.
A great night of comedy for folk who love Holmes, loathe him or just want a good laugh from one of New Zealand's top improvised comics.
"Holmes Alone" is being performed at 6pm in the Victorian Garden Conservatory in Hamilton on both Friday 24 and Saturday 25 February (ie this Friday and Saturday). Tickets are only $20 ($15 concession), for what should be a fun night out.
I've seen plenty of improvised comedy in New Zealand, Canada, and the United States, and this type of 'long form narrative improv' is really something to see. So if you're anywhere near Hamilton, make sure to head along and check it out. You can purchase tickets here.
Labels:
events
Tuesday, February 21, 2012
My HOS Crime Picks
This year I'm continuing to provide a monthly crime fiction round-up for the Herald on Sunday, one of New Zealand's most well-known newspapers. I'm very pleased to be able to contribute in my small way to getting crime fiction into the books sections of some local media.
My latest 'column' was published yesterday, in the 'Living' magazine supplement to the newspaper. I actually wrote this column a few weeks ago, using books I'd read late last year, but things were delayed for a while - I should be back on a monthly basis from now on. Here's the latest round-up:
------------------------------------------------------------------------------------------------------------
Crime picks
Craig Sisterson
Cold Wind By CJ Box (Corvus, $24.99)
Renewable energy meets murderous motives in award-winning CJ Box’s latest tale starring Wyoming game warden Joe Pickett; another example of his impressive touch for thrillers set in America’s rural and wilderness areas. When a millionaire property developer is found murdered, hanging from a controversial wind turbine on his sprawling ranch, the prime suspect is his wife Missy, Pickett’s less-than-beloved mother-in-law. Pickett finds himself caught between his bosses, sure of Missy’s guilt, and his own wife, who wants him to prove her mother’s innocence. Box mixes a gripping plotline with compelling characters, layered relationships, and well-evoked settings.
Red Mist By Patricia Cornwell (Little, Brown, $39.99)
More than twenty years after shaking up crime fiction by bringing forensics to the fore, Patricia Cornwell and her fearless heroine Kay Scarpetta are still going strong, and in fact, are back to their best. Red Mist sees Scarpetta travelling to Savannah, a town draped in history and Spanish moss, to meet a high-security prisoner. Drawn into a long-closed case, her sojourn to the sweltering South takes a truly deadly turn, threatening many lives. Red Mist contains plenty of intriguing forensics, but the highlight is Scarpetta and her perspective on the world, along with the interplay between characters.
A Man You Can Bank On By Derek Hansen (Hachette Australia, $37.99)
If you like your crime fiction laced with plenty of laughs, then this caper-style tale set in the Australian Outback could be just your ticket. Former bank manager Lambert Hampton helped transform the tiny town of Munni-Munni after stumbling across a robbery gang’s stash. Years later, the crims, the cops, a rogue investigator and two hit-men are all chasing the money, converging on the town, causing shenanigans aplenty. Hansen, who grew up in New Zealand, creates an intriguing tale packed with eccentric characters and memorable moments that stay with you long after the final page.
Never Knowing By Chevy Stevens (Allen & Unwin, $36.99)
Canadian author Stevens follows up her excellent debut Still Missing with another cracking story. Sara Gallagher has always wondered why she was given up for adoption, and struggled with feeling different to her family. After months of research she locates her birth mother, only to face rejection, then discover an even more horrifying truth: she is a child of rape, her birth mother the sole survivor of serial killer still on the loose. A killer who contacts Sara after her story ends up online. Never Knowing is a layered tale which is as much about a woman’s search for herself, as the search for a killer.
Craig Sisterson helped establish the Ngaio Marsh Award for Best Crime Novel. He writes about crime and thriller fiction for several publications here and overseas, and blogs at http://kiwicrime.blogspot.com/.
--------------------------------------------------------------------------------------------------------------
Have you read any of these four novels, or authors? What do you think? Comments welcome.
My latest 'column' was published yesterday, in the 'Living' magazine supplement to the newspaper. I actually wrote this column a few weeks ago, using books I'd read late last year, but things were delayed for a while - I should be back on a monthly basis from now on. Here's the latest round-up:
------------------------------------------------------------------------------------------------------------
Crime picks
Craig Sisterson
Cold Wind By CJ Box (Corvus, $24.99)
Renewable energy meets murderous motives in award-winning CJ Box’s latest tale starring Wyoming game warden Joe Pickett; another example of his impressive touch for thrillers set in America’s rural and wilderness areas. When a millionaire property developer is found murdered, hanging from a controversial wind turbine on his sprawling ranch, the prime suspect is his wife Missy, Pickett’s less-than-beloved mother-in-law. Pickett finds himself caught between his bosses, sure of Missy’s guilt, and his own wife, who wants him to prove her mother’s innocence. Box mixes a gripping plotline with compelling characters, layered relationships, and well-evoked settings.
Red Mist By Patricia Cornwell (Little, Brown, $39.99)
More than twenty years after shaking up crime fiction by bringing forensics to the fore, Patricia Cornwell and her fearless heroine Kay Scarpetta are still going strong, and in fact, are back to their best. Red Mist sees Scarpetta travelling to Savannah, a town draped in history and Spanish moss, to meet a high-security prisoner. Drawn into a long-closed case, her sojourn to the sweltering South takes a truly deadly turn, threatening many lives. Red Mist contains plenty of intriguing forensics, but the highlight is Scarpetta and her perspective on the world, along with the interplay between characters.
A Man You Can Bank On By Derek Hansen (Hachette Australia, $37.99)
If you like your crime fiction laced with plenty of laughs, then this caper-style tale set in the Australian Outback could be just your ticket. Former bank manager Lambert Hampton helped transform the tiny town of Munni-Munni after stumbling across a robbery gang’s stash. Years later, the crims, the cops, a rogue investigator and two hit-men are all chasing the money, converging on the town, causing shenanigans aplenty. Hansen, who grew up in New Zealand, creates an intriguing tale packed with eccentric characters and memorable moments that stay with you long after the final page.
Never Knowing By Chevy Stevens (Allen & Unwin, $36.99)
Canadian author Stevens follows up her excellent debut Still Missing with another cracking story. Sara Gallagher has always wondered why she was given up for adoption, and struggled with feeling different to her family. After months of research she locates her birth mother, only to face rejection, then discover an even more horrifying truth: she is a child of rape, her birth mother the sole survivor of serial killer still on the loose. A killer who contacts Sara after her story ends up online. Never Knowing is a layered tale which is as much about a woman’s search for herself, as the search for a killer.
Craig Sisterson helped establish the Ngaio Marsh Award for Best Crime Novel. He writes about crime and thriller fiction for several publications here and overseas, and blogs at http://kiwicrime.blogspot.com/.
--------------------------------------------------------------------------------------------------------------
Have you read any of these four novels, or authors? What do you think? Comments welcome.
Labels:
mini review
Monday, February 20, 2012
Out of Exile: my feature on Paul Thomas in this week's New Zealand Listener
Over the weekend, the latest issue of the New Zealand Listener magazine (February 25 - March 2 2012 issue) hit newstands, and the lead article in the acclaimed Arts & Books section is "Out of Exile", my feature on local writer Paul Thomas, who is famous for his bestselling sports biographies, columns in local newspapers and magazines, and several acclaimed and award-winning crime novels in the 1990s and early 2000s.
Very shortly, Thomas's first new crime novel in a decade, and the first in 15 years to feature maverick Maori detective Tito Ihaka, hits bookstores. In the feature Thomas and I talk about many things, including why he returned to cime, the creation of Ihaka, his new novel DEATH ON DEMAND, the maverick cop as the latest incarnation of a centuries old wandering hero character, seeing his books on screen, and more.
So if you're in New Zealand, go and grab a copy of this week's New Zealand Listener. I think you'll enjoy the read. You can also meet Paul Thomas in person at a number of events across the country next month (see list of nationwide events here).
Very shortly, Thomas's first new crime novel in a decade, and the first in 15 years to feature maverick Maori detective Tito Ihaka, hits bookstores. In the feature Thomas and I talk about many things, including why he returned to cime, the creation of Ihaka, his new novel DEATH ON DEMAND, the maverick cop as the latest incarnation of a centuries old wandering hero character, seeing his books on screen, and more.
So if you're in New Zealand, go and grab a copy of this week's New Zealand Listener. I think you'll enjoy the read. You can also meet Paul Thomas in person at a number of events across the country next month (see list of nationwide events here).
Currently reading: NORTHERN WINTERS ARE MURDER
I get books delivered to me all the time - some from publishers for review, some directly from authors, and some that I've bought myself from online or other stores.
One of my deliveries last week brought a big smile to my face: NORTHERN WINTERS ARE MURDER by Lou Allin, a Canadian author who has graciously given her time to be one of the Ngaio Marsh Award judges the past two years, and has provided a lot of advice about setting up the award and a crime writing society in New Zealand (Allin is one of the VPs of Crime Writers Canada).
I've been meaning to read one of Allin's books for quite a while, but unfortunately they're not readily available in New Zealand. So recently, despite a vow to try to stop buying so many books (as I have far too many in the TBR pile already, let alone all the various review copies I'm sent), I purchased NORTHERN WINTERS ARE MURDER from Amazon. Here's the blurb:
Another freezing winter descends in seeming peace upon the Northern Ontario lake where realtor Belle Palmer lives genteelly with her dog, tropical fishes and classic film collection. But the snow-laden tranquillity is tragically disturbed when a good friend is lost in a freak snowmobile accident on an isolated lake. Or so it seems. Belle and others suspect foul play, but a motive and a criminal prove hard to find. Resort owners, anti-environmentalists and the new local drug dealers may all have had reason to want Jim Burian quietly removed, and information isn't forthcoming. Belle is determined to find out what happened to this decent man, but she is shocked when she discovers what twisted roots underlie this savage crime on idyllic northern ice.
I'm certainly looking forward to seeing what happens. You can read my 9mm interview with Allin here.
Have you read any of Lou Allin's mysteries? What do you think of her Belle Palmer tales?
One of my deliveries last week brought a big smile to my face: NORTHERN WINTERS ARE MURDER by Lou Allin, a Canadian author who has graciously given her time to be one of the Ngaio Marsh Award judges the past two years, and has provided a lot of advice about setting up the award and a crime writing society in New Zealand (Allin is one of the VPs of Crime Writers Canada).
I've been meaning to read one of Allin's books for quite a while, but unfortunately they're not readily available in New Zealand. So recently, despite a vow to try to stop buying so many books (as I have far too many in the TBR pile already, let alone all the various review copies I'm sent), I purchased NORTHERN WINTERS ARE MURDER from Amazon. Here's the blurb:
Another freezing winter descends in seeming peace upon the Northern Ontario lake where realtor Belle Palmer lives genteelly with her dog, tropical fishes and classic film collection. But the snow-laden tranquillity is tragically disturbed when a good friend is lost in a freak snowmobile accident on an isolated lake. Or so it seems. Belle and others suspect foul play, but a motive and a criminal prove hard to find. Resort owners, anti-environmentalists and the new local drug dealers may all have had reason to want Jim Burian quietly removed, and information isn't forthcoming. Belle is determined to find out what happened to this decent man, but she is shocked when she discovers what twisted roots underlie this savage crime on idyllic northern ice.
I'm certainly looking forward to seeing what happens. You can read my 9mm interview with Allin here.
Have you read any of Lou Allin's mysteries? What do you think of her Belle Palmer tales?
Labels:
canadian crime,
currently reading
Sunday, February 19, 2012
Going his own way: my feature on Jo Nesbø
Earlier this month, my large feature article on Norwegian crime writing superstar Jo Nesbø was published in the New Zealand Listener, one of our country's most prestigious magazines. I'm happy to share that you can now read the full article online at the Listener website - click here or on the image above.
You can read my 9mm author interview with Nesbø here, and see a list of his New Zealand events during March here. I had a great time chatting to Nesbø for the interviews, and am looking forward to meeting him in person next month, and interviewing him onstage at the New Zealand International Arts Festival.
Are you a fan of Nesbø? What do you think of my feature article? Comments welcome.
Labels:
feature,
nordic noir
Saturday, February 18, 2012
Review: THE DYING HOUR by Rick Mofina
THE DYING HOUR by Rick Mofina (Mira, 2009)
Reviewed by Craig Sisterson
Canadian Rick Mofina’s absorbing, fast-paced thrillers have gathered widespread acclaim and popularity internationally for many years now, but they’ve only become more readily available downunder in more recent times. THE DYING HOUR, originally published in 2005, was his first book to feature rookie crime reporter Jason Wade, and it’s an absolute cracker.
Wade is part of an intensely competitive internship at the Seattle Mirror, part of a group in a cut-throat race for the only fulltime job on offer, but he’s the only intern not from a high-flying journalism school, and the only one who hasn’t had a major article published yet. A loner who grew up in the shadow of a brewery in one of the city’s blue-collar neighborhoods before putting himself through community college working as a forklift driver, Wade feels out of his depth, and that his dream is starting to drown.
Stuck with the police beat no-one else wanted, Wade needs a red-hot story if he’s going to win the single staff role. He then finds himself investigating the puzzling disappearance of Karen Harding, a likeable college student whose car was found abandoned in the rural Pacific Northwest after having a fight with her boyfriend. When another woman is found murdered in a ritualistic fashion, no-one thinks there is a connection, except Jason, who embarks on a terrifying journey that causes him to examine himself as much as the ‘case’.
THE DYING HOUR is a fast-paced, full-throttle, edge-of-your-seat page-turner that will keep you engrossed both intellectually and emotionally as the pages whir, but Mofina’s writing and storytelling elevates it far beyond expected ‘airport thriller’ fare. He weaves texture, layers and depth into the setting, storyline and particularly the characters.
While switching between the perspectives of Jason and Karen is a device that could fall flat in the hands of lesser authors, Mofina balances things brilliantly, building tension and mystery without ever seeming contrived or forced. More importantly, we aren’t only gripped in an intellectual curiosity sense, but in a real emotional sense. We really feel what Jason and Karen are going through; they’re fully formed people who come alive off the page, sucking us in to what’s happening to them. We’re not mere observers; we are more fully engaged with the very human interactions – good and bad – the characters go through.
As Jason, a flawed but interesting and authentic hero, continues to dig for answers about what happened to Karen and several other women, he begins to see her not just as a story that could get him attention in the newsroom and make his career – a step towards success in a life that hasn’t exactly been littered with it – but something, someone, more real.
Similarly, THE DYING HOUR itself is something more than merely an entertaining and tension-packed thriller with plenty of twists. Compelling and captivating; highly recommended.
-----------------------------------------------------------------------------------------------------------------------
Related content:
Other reviews of THE DYING HOUR:
-----------------------------------------------------------------------------------------------------------------------
Reviewed by Craig Sisterson
Canadian Rick Mofina’s absorbing, fast-paced thrillers have gathered widespread acclaim and popularity internationally for many years now, but they’ve only become more readily available downunder in more recent times. THE DYING HOUR, originally published in 2005, was his first book to feature rookie crime reporter Jason Wade, and it’s an absolute cracker.
Wade is part of an intensely competitive internship at the Seattle Mirror, part of a group in a cut-throat race for the only fulltime job on offer, but he’s the only intern not from a high-flying journalism school, and the only one who hasn’t had a major article published yet. A loner who grew up in the shadow of a brewery in one of the city’s blue-collar neighborhoods before putting himself through community college working as a forklift driver, Wade feels out of his depth, and that his dream is starting to drown.
Stuck with the police beat no-one else wanted, Wade needs a red-hot story if he’s going to win the single staff role. He then finds himself investigating the puzzling disappearance of Karen Harding, a likeable college student whose car was found abandoned in the rural Pacific Northwest after having a fight with her boyfriend. When another woman is found murdered in a ritualistic fashion, no-one thinks there is a connection, except Jason, who embarks on a terrifying journey that causes him to examine himself as much as the ‘case’.
THE DYING HOUR is a fast-paced, full-throttle, edge-of-your-seat page-turner that will keep you engrossed both intellectually and emotionally as the pages whir, but Mofina’s writing and storytelling elevates it far beyond expected ‘airport thriller’ fare. He weaves texture, layers and depth into the setting, storyline and particularly the characters.
While switching between the perspectives of Jason and Karen is a device that could fall flat in the hands of lesser authors, Mofina balances things brilliantly, building tension and mystery without ever seeming contrived or forced. More importantly, we aren’t only gripped in an intellectual curiosity sense, but in a real emotional sense. We really feel what Jason and Karen are going through; they’re fully formed people who come alive off the page, sucking us in to what’s happening to them. We’re not mere observers; we are more fully engaged with the very human interactions – good and bad – the characters go through.
As Jason, a flawed but interesting and authentic hero, continues to dig for answers about what happened to Karen and several other women, he begins to see her not just as a story that could get him attention in the newsroom and make his career – a step towards success in a life that hasn’t exactly been littered with it – but something, someone, more real.
Similarly, THE DYING HOUR itself is something more than merely an entertaining and tension-packed thriller with plenty of twists. Compelling and captivating; highly recommended.
-----------------------------------------------------------------------------------------------------------------------
Related content:
Other reviews of THE DYING HOUR:
-----------------------------------------------------------------------------------------------------------------------
Labels:
canadian crime,
review
Friday, February 17, 2012
"One for the thumb" for Louise Penny?
Last year I commented on how Louise Penny was remarkably up for a fourth consecutive Agatha Award for her novel BURY YOUR DEAD. She'd already won an unprecedented three in a row. The Agatha Awards, presented annually, are literary awards for mystery and crime writers who write the 'traditional mystery' akin to those made famous by Agatha Christie (eg no explicit sex, excessive gore or gratuitous violence). Each year, the Awards are voted on by attendees and then presented at the upcoming Malice Domestic convention. Unsurprisingly, at last year's Malice Domestic, Penny was again voted the winner for Best Novel.
Now, the Canadian queen of crime fiction has once again been named a finalist for this year's Agatha Award. In North American sporting parlance, having already secured a repeat, three-peat, and four-peat of victories, she's now going for "one for the thumb" (a reference to the rings that football players and others win).
Here's the full list of finalists for this year's awards:
Best Novel:
Of all those, I've only read SHELTER by Harlan Coben (which was good).
Now, the Canadian queen of crime fiction has once again been named a finalist for this year's Agatha Award. In North American sporting parlance, having already secured a repeat, three-peat, and four-peat of victories, she's now going for "one for the thumb" (a reference to the rings that football players and others win).
Here's the full list of finalists for this year's awards:
Best Novel:
- The Real Macaw by Donna Andrews (Minotaur)
- The Diva Haunts the House by Krista Davis (Berkley)
- Wicked Autumn by G.M. Malliet (Minotaur)
- Three-Day Town by Margaret Maron (Grand Central Publishing)
- A Trick of the Light by Louise Penny (Minotaur)
- Dire Threads by Janet Bolin (Berkley)
- Choke by Kaye George (Mainly Murder Press)
- Learning to Swim by Sara J. Henry (Crown)
- Who Do, Voodoo? by Rochelle Staab (Berkley)
- Tempest in the Tea Leaves by Kari Lee Townsend (Berkley)
- Books, Crooks and Counselors: How to Write Accurately About Criminal Law and Courtroom Procedure by Leslie Budewitz (Linden)
- Agatha Christie: Murder in the Making: More Stories and Secrets from Her Notebooks by John Curran (Harper)
- On Conan Doyle: Or, The Whole Art of Storytelling by Michael Dirda (Princeton University Press)
- Wilkie Collins, Vera Caspary and the Evolution of the Casebook Novel by A. B. Emrys (McFarland)
- The Sookie Stackhouse Companion by Charlaine Harris (Ace)
- "Disarming" by Dana Cameron, Ellery Queen Mystery Magazine - June 2011
- "Dead Eye Gravy" by Krista Davis, Fish Tales: The Guppy Anthology (Wildside Press)
- "Palace by the Lake" by Daryl Wood Gerber, Fish Tales: The Guppy Anthology (Wildside Press)
- "Truth and Consequences" by Barb Goffman, Mystery Times Ten (Buddhapuss Ink)
- "The Itinerary" by Roberta Isleib, MWA Presents the Rich and the Dead (Grand Central Publishing)
- Shelter by Harlan Coben (Putnam)
- The Black Heart Crypt by Chris Grabenstein (Random House)
- Icefall by Matthew J. Kirby (Scholastic Press)
- The Wizard of Dark Street by Shawn Thomas Odyssey (EgmontUSA)
- The Code Busters Club, Case #1: The Secret of the Skeleton Key by Penny Warner (EgmontUSA)
- Naughty in Nice by Rhys Bowen (Berkley)
- Murder Your Darlings by J.J. Murphy (Signet)
- Mercury's Rise by Ann Parker (Poisoned Pen Press)
- Troubled Bones by Jeri Westerson (Minotaur)
- A Lesson in Secrets by Jacqueline Winspear (Harper)
Of all those, I've only read SHELTER by Harlan Coben (which was good).
Diamonds are For...syth
Okay, a bad play on a James Bond title, but hey. Today (NZT) the Crime Writers Association has announced that iconic thriller writer Frederick Forsyth - one of my adolescent reading favourites, along with the likes of Alistair MacLean, when I was first discovering 'adult' books as a pre-teen keen reader in Nelson - has been named as the recipient of the prestigious Diamond Dagger Award for 2012.
Here's the official press release:
The CWA has today announced the 2012 winner of its prestigious Diamond Dagger award with the honour awarded to thriller writer Frederick Forsyth.
Chair of the CWA Peter James said, “Frederick Forsyth is a hugely deserving recipient and The Day of the Jackal remains one of the greatest thrillers of our times. He has set a new standard of research-based authenticity with his writing, which has had a major influence both on my work and on many of my contemporaries in the crime and thriller field. We are very thrilled that he has accepted this award.”
The Diamond Dagger recipient is chosen each year by the CWA committee, from a shortlist nominated by the membership. Shortlisted authors must meet two essential criteria: first, their careers must be marked by sustained excellence, and second, they must have made a significant contribution to crime fiction published in the English language, whether originally or in translation. The award is made purely on merit without reference to age, gender or nationality. The Diamond Dagger will be presented to Frederick Forsyth at an award ceremony later this year.
Past winners include:
2011: Lindsey Davis
2010: Val McDermid
2009: Andrew Taylor
2008: Sue Grafton
2007: John Harvey
2006: Elmore Leonard
2005: Ian Rankin
A complete list of winners can be found at http://www.thecwa.co.uk/
The CWA has also today announced the launch of its exciting new initiative The Crime Readers’ Association.
Crime and thriller fiction is booming worldwide with British and Irish writers shining alongside their American and Scandinavian counterparts. The newly formed CRA is a place for fans of these genres to keep up with their favourite CWA authors.
Crime fans are invited to visit a new website at www.thecra.co.uk and sign up to receive a free e-newsletter filled with features, news and articles about crime writing and CWA authors. If they sign up before the end of March, then they will go into a draw to win two free passes to Bristol’s CrimeFest in May this year.
The first e-newsletter will feature an exclusive extract from Michael Ridpath’s new novel, a reading by current CWA Chair Peter James and exclusive crime features, together with news and updates from CWA members. This content will not be available elsewhere, so crime and thriller fans need to sign up now to receive it free.
The Crime Writers’ Association Chair Peter James said: “We’re very excited about launching this new initiative. The idea behind the CRA is to bring readers and writers closer together, in order to further promote the crime writing genre. Authors could not survive without their loyal readers and the CRA celebrates the role of the reader in the burgeoning success of the genre. We have showcased members’ events and books on our website for several years now and we see the CRA as an extension of this. Hopefully, it will help our members to grow their careers more.”
For more information on the CWA then please visit the website at www.thecwa.co.uk or contact them by email through info@thecwa.co.uk.The new blog and website for the CRA is available at http://www.thecra.co.uk/.
Here's the official press release:
The CWA has today announced the 2012 winner of its prestigious Diamond Dagger award with the honour awarded to thriller writer Frederick Forsyth.
Chair of the CWA Peter James said, “Frederick Forsyth is a hugely deserving recipient and The Day of the Jackal remains one of the greatest thrillers of our times. He has set a new standard of research-based authenticity with his writing, which has had a major influence both on my work and on many of my contemporaries in the crime and thriller field. We are very thrilled that he has accepted this award.”
The Diamond Dagger recipient is chosen each year by the CWA committee, from a shortlist nominated by the membership. Shortlisted authors must meet two essential criteria: first, their careers must be marked by sustained excellence, and second, they must have made a significant contribution to crime fiction published in the English language, whether originally or in translation. The award is made purely on merit without reference to age, gender or nationality. The Diamond Dagger will be presented to Frederick Forsyth at an award ceremony later this year.
Past winners include:
2011: Lindsey Davis
2010: Val McDermid
2009: Andrew Taylor
2008: Sue Grafton
2007: John Harvey
2006: Elmore Leonard
2005: Ian Rankin
A complete list of winners can be found at http://www.thecwa.co.uk/
The CWA has also today announced the launch of its exciting new initiative The Crime Readers’ Association.
Crime and thriller fiction is booming worldwide with British and Irish writers shining alongside their American and Scandinavian counterparts. The newly formed CRA is a place for fans of these genres to keep up with their favourite CWA authors.
Crime fans are invited to visit a new website at www.thecra.co.uk and sign up to receive a free e-newsletter filled with features, news and articles about crime writing and CWA authors. If they sign up before the end of March, then they will go into a draw to win two free passes to Bristol’s CrimeFest in May this year.
The first e-newsletter will feature an exclusive extract from Michael Ridpath’s new novel, a reading by current CWA Chair Peter James and exclusive crime features, together with news and updates from CWA members. This content will not be available elsewhere, so crime and thriller fans need to sign up now to receive it free.
The Crime Writers’ Association Chair Peter James said: “We’re very excited about launching this new initiative. The idea behind the CRA is to bring readers and writers closer together, in order to further promote the crime writing genre. Authors could not survive without their loyal readers and the CRA celebrates the role of the reader in the burgeoning success of the genre. We have showcased members’ events and books on our website for several years now and we see the CRA as an extension of this. Hopefully, it will help our members to grow their careers more.”
For more information on the CWA then please visit the website at www.thecwa.co.uk or contact them by email through info@thecwa.co.uk.The new blog and website for the CRA is available at http://www.thecra.co.uk/.
Labels:
awards
Wednesday, February 15, 2012
The place to be this Sunday: Hamilton
We have some great international and local crime fiction events on the horizon here in New Zealand for 2012. First up on the festival front for lovers of crime writing is the 2012 Waikato Times Hamilton Garden Arts Festival, which kicks off this week.
The Festival consists of many terrific events, ranging from visual arts to music, comedy, film, theatre, dance, food and wine, and books. It should be great.
Amongst the literary/books events at this year's festival is a crime writing event this Sunday, 19 February, that features local crime writers of both the fictional and true crime persuasion. There has been a slight change to the line-up, with Joan Rosier-Jones (THE MURDER OF CHOW YAT) unable to attend due to personal reasons. However, there are still four terrific writers who will be there:
Crime Writers
"Delve into the mind of crime"
Scott Bainbridge
New Zealand law means that all unsolved murder files are inaccessible for a period of 70 years. Even after this period, restricted access is rarely given. Bainbridge has been given unprecedented access to the police files for ten of New Zealand¹s most baffling unsolved murders.
Ben Sanders
At 20 years of age, Ben Sanders fascination with crime fiction has paid off having just signed a two-book contract with HarperCollins Publishers. Ben's sophisticated and edgy writing style signals the emergence of a major new talent.
Vanda Symon
Vanda is the author of the Sam Shephard detective fiction series. Her latest novel Bound, went straight to number one in the New Zealand bestsellers lists.
Paul Cleave
At 24 Paul wrote The Killing Hour. A year later he wrote The Cleaner. In 2006, six years after it was written, The Cleaner was published. It became one of the biggest selling books ever to come out of New Zealand, picking up several international contracts within it's first year and introducing Joe, the 'loveable' serial killer who works at the Christchurch Police Department.
The Crime Writers event will be held at 5pm on Sunday 19 February 2012 at the Garden Terrace restaurant. Penny's Bookstore will be selling a range of the writers' books at the event.
I really hope to see some North Island-based Crime Watch readers and crime fiction fans there on the night. It should be a great evening! Thanks to the organisers of the 2012 Waikato Times Hamilton Garden Arts Festival for embracing local crime writing in such a great way.
The Festival consists of many terrific events, ranging from visual arts to music, comedy, film, theatre, dance, food and wine, and books. It should be great.
Amongst the literary/books events at this year's festival is a crime writing event this Sunday, 19 February, that features local crime writers of both the fictional and true crime persuasion. There has been a slight change to the line-up, with Joan Rosier-Jones (THE MURDER OF CHOW YAT) unable to attend due to personal reasons. However, there are still four terrific writers who will be there:
Crime Writers
"Delve into the mind of crime"
Scott Bainbridge
New Zealand law means that all unsolved murder files are inaccessible for a period of 70 years. Even after this period, restricted access is rarely given. Bainbridge has been given unprecedented access to the police files for ten of New Zealand¹s most baffling unsolved murders.
Ben Sanders
At 20 years of age, Ben Sanders fascination with crime fiction has paid off having just signed a two-book contract with HarperCollins Publishers. Ben's sophisticated and edgy writing style signals the emergence of a major new talent.
Vanda Symon
Vanda is the author of the Sam Shephard detective fiction series. Her latest novel Bound, went straight to number one in the New Zealand bestsellers lists.
Paul Cleave
At 24 Paul wrote The Killing Hour. A year later he wrote The Cleaner. In 2006, six years after it was written, The Cleaner was published. It became one of the biggest selling books ever to come out of New Zealand, picking up several international contracts within it's first year and introducing Joe, the 'loveable' serial killer who works at the Christchurch Police Department.
The Crime Writers event will be held at 5pm on Sunday 19 February 2012 at the Garden Terrace restaurant. Penny's Bookstore will be selling a range of the writers' books at the event.
I really hope to see some North Island-based Crime Watch readers and crime fiction fans there on the night. It should be a great evening! Thanks to the organisers of the 2012 Waikato Times Hamilton Garden Arts Festival for embracing local crime writing in such a great way.
Tuesday, February 14, 2012
Paul Thomas touring New Zealand during Book Month
Along with being part of what should be a terrific New Zealand crime fiction event in Wellington at the New Zealand International Arts Festival, award-winning Kiwi crime writer Paul Thomas will also be making a number of other appearances around the country in March. Audiences across the country will get a chance to meet Thomas and hear him talk about DEATH ON DEMAND, his first crime novel in a decade.
Thanks to Karen at Hachette, I can now share Thomas's official itinerary with Crime Watch readers:
MARCH – Paul Thomas
New Zealand author and columnist Paul Thomas’ seven works of fiction include three novels featuring maverick cop Tito Ihaka which were republished by Hodder Moa in 2009 as The Ihaka Trilogy. His work has been widely published internationally and translated into several languages. Death on Demand, his latest novel, is crime writing at its original and humorous best, with a distinct kiwi flavour. All events will allow time for questions from the audience and book signing.
Thursday 1 March – WELLINGTON
Time: 5.30pm
Location: Marsden Books, 159 Karori Road, Karori
Free Event
RSVP: phone (04) 476 8066
Monday 5 March – AUCKLAND
Time: 6.00pm
Location: Takapuna Library, The Strand, Takapuna
Entry: $5 ($2 for friends of the library.)
RSVP: Phone Helen Woodhouse on (09) 486 8469 or Helen.woodhouse@aucklandcouncil.govt.nz
Tuesday 6 March – HAMILTON
Time: 6.00pm
Location: Dinsdale Library, Whatawhata Rd, Dinsdale Hamilton
Free Event
RSVP: Phone (07) 838 6639
Wednesday 7 March - ROTORUA
Time: 5.30pm
Location: Rotorua District Library, 1127 Haupapa Street, Rotorua
Gold Coin Donation
http://www.rotorualibrary.govt.nz/
Tuesday 20 March – MOSGIEL
Time: 2.00pm
Location: Mosgiel Library, 7 Hartstonge Ave Mosgiel
Free Event
RSVP: Phone (03) 474 3690 or library@dcc.govt.nz
Tuesday 20 March – DUNEDIN
Time: 5.30pm
Location: Dunedin City Library, 4th floor, 230 Moray Place Dunedin
Free Event
RSVP: Phone (03) 474 3690 or library@dcc.govt.nz
Wednesday 21 March – CHRISTCHURCH
Time: 5.30pm
Location: Tommy Changs Bar, London Street, London Street, Lyttelton
Free event. Wine and snacks on sale.
RSVP: library@ccc.govt.nz
Thanks to Karen at Hachette, I can now share Thomas's official itinerary with Crime Watch readers:
MARCH – Paul Thomas
New Zealand author and columnist Paul Thomas’ seven works of fiction include three novels featuring maverick cop Tito Ihaka which were republished by Hodder Moa in 2009 as The Ihaka Trilogy. His work has been widely published internationally and translated into several languages. Death on Demand, his latest novel, is crime writing at its original and humorous best, with a distinct kiwi flavour. All events will allow time for questions from the audience and book signing.
Thursday 1 March – WELLINGTON
Time: 5.30pm
Location: Marsden Books, 159 Karori Road, Karori
Free Event
RSVP: phone (04) 476 8066
Monday 5 March – AUCKLAND
Time: 6.00pm
Location: Takapuna Library, The Strand, Takapuna
Entry: $5 ($2 for friends of the library.)
RSVP: Phone Helen Woodhouse on (09) 486 8469 or Helen.woodhouse@aucklandcouncil.govt.nz
Tuesday 6 March – HAMILTON
Time: 6.00pm
Location: Dinsdale Library, Whatawhata Rd, Dinsdale Hamilton
Free Event
RSVP: Phone (07) 838 6639
Wednesday 7 March - ROTORUA
Time: 5.30pm
Location: Rotorua District Library, 1127 Haupapa Street, Rotorua
Gold Coin Donation
http://www.rotorualibrary.govt.nz/
Tuesday 20 March – MOSGIEL
Time: 2.00pm
Location: Mosgiel Library, 7 Hartstonge Ave Mosgiel
Free Event
RSVP: Phone (03) 474 3690 or library@dcc.govt.nz
Tuesday 20 March – DUNEDIN
Time: 5.30pm
Location: Dunedin City Library, 4th floor, 230 Moray Place Dunedin
Free Event
RSVP: Phone (03) 474 3690 or library@dcc.govt.nz
Wednesday 21 March – CHRISTCHURCH
Time: 5.30pm
Location: Tommy Changs Bar, London Street, London Street, Lyttelton
Free event. Wine and snacks on sale.
RSVP: library@ccc.govt.nz
Labels:
author tour,
nz crime
Monday, February 13, 2012
Review: THE DROP by Michael Connelly
THE DROP by Michael Connelly (Allen & Unwin, 2011)
Reviewed by Craig Sisterson
Harry Bosch has been given three years before he must retire from the LAPD, and he wants cases more fiercely than ever. In one morning, he gets two.
DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court.
Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation.
Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department.
An uncanny (an uncommon) knack for keeping a long-running series fresh is one of many attributes that have seen Michael Connelly become one of the modern masters of crime fiction over the past twenty years. And while he has penned some terrific standalone novels, such as THE POET, along with a very good ‘second series’ featuring ‘Lincoln Lawyer’ Mickey Haller, it is the ongoing exploits of LAPD detective Hieronymus “Harry” Bosch that is the true spine of Connelly’s crime writing career.
Connelly’s latest novel, THE DROP, sees an aging Bosch – one of crime fiction’s greatest characters – spending his final pre-retirement years working cold cases for the Open-Unsolved Unit. With his colleagues he hopes and hunts for new evidence that could bring long-forgotten cases back to the light, and perpetrators to long-overdue justice. But a drop of blood could have effects far beyond a single dusty file, as new DNA testing provides a ‘cold hit’ on a 1989 rape case – unfortunately the hit points the finger at a sex offender who was only eight years old at the time. Has the lab made a mistake, potentially putting hundreds of cases in jeopardy? Or is something else going on?
Bosch is ’specially shoulder-tapped by his Open-Unsolved boss to investigate the delicate matter, but is soon under further pressure when he’s reluctantly hauled into a fresh investigation, the seems-like-suicide death of the son of his long-time nemesis, Councilman Irvin Irving. Under the blowtorch from Irving and his police bosses at a time when his very future in the department is unclear, Bosch finds himself juggling two dangerous cases that could explode with political and media fallout.
A drop of blood; a man who dropped from a hotel balcony; and Bosch’s very own DROP (Deferred Retirement Option Plan) – like the title itself, Connelly’s latest tale is full of layers and texture. Politics and police work collide as Bosch swims the murky waters of ‘high jingo’, his relentless nature driving him to get at the truth, wherever and whatever that may be, and whatever the cost.
Throughout the Bosch series Connelly has always strived to show the reader new aspects of the detective’s life on and off the job, the complexities and changing nature of police work throughout the years. Here, there are many strands: detectives working on multiple cases at once, rather than a singular investigation; the considerations that arise beyond mere law and justice; questions about how the media, politicians, police and others mesh and entangle with differing agendas and concerns; the ongoing imprint left by history and experience; and much more.
THE DROP is another compelling instalment in one of the very best series in crime fiction, an engrossing tale that will delight long-time Bosch fans and new readers alike. Packed with authentic character relationships, intriguing issues, and plenty of depth beneath a gripping storyline, it leaves the reader wondering quite where Connelly and Bosch will take us next. And keen to find out.
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Related content:
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Reviewed by Craig Sisterson
Harry Bosch has been given three years before he must retire from the LAPD, and he wants cases more fiercely than ever. In one morning, he gets two.
DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer or has something gone terribly wrong in the new Regional Crime Lab? The latter possibility could compromise all of the lab's DNA cases currently in court.
Then Bosch and his partner are called to a death scene fraught with internal politics. Councilman Irvin Irving's son jumped or was pushed from a window at the Chateau Marmont. Irving, Bosch's longtime nemesis, has demanded that Harry handle the investigation.
Relentlessly pursuing both cases, Bosch makes two chilling discoveries: a killer operating unknown in the city for as many as three decades, and a political conspiracy that goes back into the dark history of the police department.
An uncanny (an uncommon) knack for keeping a long-running series fresh is one of many attributes that have seen Michael Connelly become one of the modern masters of crime fiction over the past twenty years. And while he has penned some terrific standalone novels, such as THE POET, along with a very good ‘second series’ featuring ‘Lincoln Lawyer’ Mickey Haller, it is the ongoing exploits of LAPD detective Hieronymus “Harry” Bosch that is the true spine of Connelly’s crime writing career.
Connelly’s latest novel, THE DROP, sees an aging Bosch – one of crime fiction’s greatest characters – spending his final pre-retirement years working cold cases for the Open-Unsolved Unit. With his colleagues he hopes and hunts for new evidence that could bring long-forgotten cases back to the light, and perpetrators to long-overdue justice. But a drop of blood could have effects far beyond a single dusty file, as new DNA testing provides a ‘cold hit’ on a 1989 rape case – unfortunately the hit points the finger at a sex offender who was only eight years old at the time. Has the lab made a mistake, potentially putting hundreds of cases in jeopardy? Or is something else going on?
Bosch is ’specially shoulder-tapped by his Open-Unsolved boss to investigate the delicate matter, but is soon under further pressure when he’s reluctantly hauled into a fresh investigation, the seems-like-suicide death of the son of his long-time nemesis, Councilman Irvin Irving. Under the blowtorch from Irving and his police bosses at a time when his very future in the department is unclear, Bosch finds himself juggling two dangerous cases that could explode with political and media fallout.
A drop of blood; a man who dropped from a hotel balcony; and Bosch’s very own DROP (Deferred Retirement Option Plan) – like the title itself, Connelly’s latest tale is full of layers and texture. Politics and police work collide as Bosch swims the murky waters of ‘high jingo’, his relentless nature driving him to get at the truth, wherever and whatever that may be, and whatever the cost.
Throughout the Bosch series Connelly has always strived to show the reader new aspects of the detective’s life on and off the job, the complexities and changing nature of police work throughout the years. Here, there are many strands: detectives working on multiple cases at once, rather than a singular investigation; the considerations that arise beyond mere law and justice; questions about how the media, politicians, police and others mesh and entangle with differing agendas and concerns; the ongoing imprint left by history and experience; and much more.
THE DROP is another compelling instalment in one of the very best series in crime fiction, an engrossing tale that will delight long-time Bosch fans and new readers alike. Packed with authentic character relationships, intriguing issues, and plenty of depth beneath a gripping storyline, it leaves the reader wondering quite where Connelly and Bosch will take us next. And keen to find out.
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Related content:
- Feature article on Michael Connelly (New Zealand Listener, May 2011)
- Feature article on Michael Connelly (New Zealand Herald, October 2010)
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Labels:
review
Saturday, February 11, 2012
Remembering Barry Gardner: Barry Award nominees
For the past fifteen years Deadly Pleasures magazine has posthumously honoured reviewer Barry Gardner with a series of crime fiction awards bearing his name: the annual Barry Awards. Now the nominees for the 2012 Barry Awards have been announced (hat tip to Janet Rudolph) - here are the lists of the nominees, plus some comments from me about some of the books/awards categories:
Best Novel
- THE KEEPER OF LOST CAUSES (aka MERCY), Jussi Adler-Olsen tr. Tiina Nunnally
- THE ACCIDENT, Linwood Barclay
- THE HURT MACHINE, Reed Farrel Coleman
- IRON HOUSE, John Hart
- HELL IS EMPTY, Craig Johnson
- THE TROUBLED MAN, Henning Mankell tr. Laurie Thompson
I've read three of the six nominated books. While I did enjoy both THE TROUBLED MAN and THE ACCIDENT, for me IRON HOUSE by John Hart was the best of the three. I've also heard very good things about MERCY - it's on my TBR shelf but I haven't quite got to it yet.
Best First Novel
- LEARNING TO SWIM, Sara Henry
- THE DEVOTION OF SUSPECT X, Keigo Higashino tr. Alexander O Smith & Elye J Alexander
- THE BOY IN THE SUITCASE, Lene Kaaberbol and Agnette Friis tr. Lene Kaaberbol
- TURN OF MIND, Alice LaPlante
- THE INFORMATIONIST, Taylor Stevens
- BEFORE I GO TO SLEEP, S J Watson
I haven't read any of these novels, although I do have both the Higashino and SJ Watson books on my shelf at home, waiting to be read. BEFORE I GO TO SLEEP has appeared on many 'best of 2011' lists I've seen, although I've also read mixed reviews from some who think it's been a bit over-rated.
Best British (Published in the UK in 2011)
- NOW YOU SEE ME, S J Bolton
- HELL'S BELLS (aka THE INFERNALS), John Connolly
- BAD SIGNS, R J Ellory
- THE HOUSE AT SEA'S END, Elly Griffiths
- OUTRAGE, Arnaldur Indridason tr. Anna Yates
- DEAD MAN’S GRIP, Peter James
Best Paperback Original
- THE SILENCED, Brett Battles
- THE HANGMAN'S DAUGHTER, Oliver Pötzsch
- A DOUBLE DEATH ON THE BLACK ISLE, A. D. Scott
- DEATH OF THE MANTIS, Michael Stanley
- FUN AND GAMES, Duane Swierczynski
- TWO FOR SORROW, Nicola Upson
Best Thriller
- CARVER, Tom Cain
- COUP D’ETAT, Ben Coes
- SPYCATCHER (aka SPARTAN), Matthew Dunn
- BALLISTIC, Mark Greaney
- HOUSE DIVIDED, Mike Lawson
- THE INFORMANT, Thomas Perry
So, which of the above books have you read and enjoyed? Which would you like to see win?
Labels:
awards
Friday, February 10, 2012
Paul Cleave's bestselling debut THE CLEANER to be made into feature film?
In an article looking at the rise of European film productions which have smaller budgets but are packed with quality casts and filmmakers, and are targetted at adult viewers rather than the mass-market teen productions, Hollywood bible Variety has this week reported that New Zealand author Paul Cleave's terrific debut novel, THE CLEANER, has been optioned for film adaptation by acclaimed European filmmakers.
I've been hearing whispers about such an adaptation for months, so it's great to see it confirmed. Back in 2008 when I first read THE CLEANER - which sold more than 250,000 copies in Germany alone, and was one of the bestselling crime/thriller titles in that country - I remember thinking that it would make a great film - Cleave has a very visual storytelling style that goes along with some compelling characters and a great plot.
So fingers crossed that THE CLEANER, which has been translated into many languages and hit bestseller lists in several countries, can work its way through the vagaries of the international film making process - it would be cool to see it up on the big screen.
It certainly seems to be in good hands at least, with Pierre-Ange Le Pogam - Luc Besson's partner at the massively successful EuropaCorp, involved. With adult-orientated small to medium budget films that do very well at the box office internationally their focus, they have done terrifically well (eg Taken, The Transporter, etc). Talking to Cleave recently, I know he is very excited about the prospect of THE CLEANER being adapted by such talented filmmakers.
Have you read THE CLEANER? Would you be keen to see Joe onscreen? What other New Zealand crime novels would you love to see adapted for film or television?
I've been hearing whispers about such an adaptation for months, so it's great to see it confirmed. Back in 2008 when I first read THE CLEANER - which sold more than 250,000 copies in Germany alone, and was one of the bestselling crime/thriller titles in that country - I remember thinking that it would make a great film - Cleave has a very visual storytelling style that goes along with some compelling characters and a great plot.
So fingers crossed that THE CLEANER, which has been translated into many languages and hit bestseller lists in several countries, can work its way through the vagaries of the international film making process - it would be cool to see it up on the big screen.
It certainly seems to be in good hands at least, with Pierre-Ange Le Pogam - Luc Besson's partner at the massively successful EuropaCorp, involved. With adult-orientated small to medium budget films that do very well at the box office internationally their focus, they have done terrifically well (eg Taken, The Transporter, etc). Talking to Cleave recently, I know he is very excited about the prospect of THE CLEANER being adapted by such talented filmmakers.
Have you read THE CLEANER? Would you be keen to see Joe onscreen? What other New Zealand crime novels would you love to see adapted for film or television?
Labels:
nz crime,
screen crime
Thursday, February 9, 2012
9mm interview with Jo Nesbø
Between March 2010 and October 2011, I interviewed 57 fantastic crime, mystery and thriller authors for the 9mm series here on Crime Watch. It was amazing to see how the series, which started as a random little idea, really grew and grew over the months. I was blown away by the calibre of authors - from rising stars to big name bestsellers - who generously gave of their time to answer the same nine questions.
Over the course of the 19 months the series ran, I have had a lot of fun asking the questions of the authors, and seeing how some of the answers compare (eg the favourite detectives, books they loved as a kid), as well as finding out some really intriguing things in relation to fun things to do in authors' hometowns, and the strange or memorable moments from their life on tour, etc.
Hopefully you've enjoyed the series as much as I have. Particularly, as here in 2012 I've decided to resurrect 9mm, and build up the remarkable line-up of crime, mystery, and thriller writers even more. To kickstart things for the new year, here is my recent 9mm interview with Norwegian crime writing superstar Jo Nesbø, who's latest Harry Hole book, PHANTOM, has just been released in English, and who will be touring New Zealand next month (see details here).
9MM: AN INTERVIEW WITH JO NESBO
1. Who is your favourite recurring crime fiction hero/detective?
[Doesn’t read a lot of crime fiction]... I’m more like a one-book reader, I try to sort of find out what the others are doing, but I haven’t got into any series, just a book here and a book there.
2. What was the very first book you remember reading and really loving, and why?
Probably Mark Twain’s Tom Sawyer... even now when I read Mark Twain I can see his storytelling abilities, you get this feeling that you can trust the storyteller, that he has a plan for you, already from the first sentence you can sense that there’s a good story there. I think that the way he brings anticipation to the reader, I think that’s what I look for in any stories – the storyteller that is confident and gives you that feeling of ‘come sit closer, because I have this great story for you’...
3. Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
I was more like a freelance journalist. I didn’t do journalism, I did interviews really, long interviews with people now and then when I had the time. I really enjoyed that, and it was a good school for a writer I think. Apart from that I had been writing mainly lyrics for my band, and I’d written short stories – not to have them published, but just for my own – I enjoy writing. I guess I had a go at a novel once; I didn’t plan to write a novel, but I just started writing something, but I never finished it. So, my first serious attempt at a novel was actually THE BAT MAN [the first Harry Hole novel, not yet translated into English].
4. Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?
Rock climbing... also, playing with my band and my friends used to be a job, but nowadays it feels more like a hobby or, you know, something that I would do for free. So I guess music and rock climbing.
5. What is one thing that visitors to your hometown should do, that isn't a really famous thing in the tourist brochures, or perhaps they wouldn’t initially consider?
In the town of Oslo? Okay, let me think... last summer, I went biking with a couple of friends, we biked for like 15 minutes and then we were in the woods, and there was a small pond there, and we went swimming there, bare naked, you know, four guys. And I live in downtown Oslo, and we’d been biking, literally from my house for I’d say 25 minutes, and we were in a lake – and this is in a capital of Europe – and we were in a lake, swimming. And I just love that about Oslo. One of the guys were, by the way, the Prime Minister of Norway.
6. If your life was a movie, which actor could you see playing you?
Playing me? Oh, ah, let me think. That’s a hard one. You know there’s a betting site, called Unabet, and you can now bet on who is going to play Harry Hole in the forthcoming movie The Snowman, and you know the favourite I think is still Leonardo DiCaprio... and you get like five times your money if he is played by Leonardo DiCaprio, but there is one guy that you should probably put your money on, not because it’s likely that he’s going to play Harry, but it gives you five hundred times the money, and that’s me. So I guess since I am on that list [of potential actors], I will suggest that I will play me.
7. Of your books, which is your favourite, and why?
I think I can answer that, because – and I don’t know whether it’s my favourite either, but it’s my most personal book – and that is probably THE REDBREAST. It was also a book where after the first two books, THE BAT MAN and COCKROACHES, I sort of raised the bar a little bit. It was a very ambitious book, and it is also the book that my father had planned to write, because it’s based on his experiences during World War Two where he fought for the Germans against the Russians outside Leningrad, so it’s so much family history in that book. Also, my mother was also in the resistance movement in Norway, so my mother and my father during the war, they were like 18, 19, so they didn’t know each other at that time, but they were on opposite sides during the war. And a lot of that is in the book – those stories about people making their choices during World War Two, and how it reflects on your life later and at present.
So I think that is my breakthrough ... although I received prizes for my first book, I didn’t reach a broad audience until that book, THE REDBREAST. But most importantly it was a very personal book, where I had all this material that I wanted to use at one time or another, and this was the perfect moment.
8. What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
I was working as a stockbroker at the time, and I was playing with my band... I was at work when they phoned me, and I just went outside, I got on my bike, and I just biked to the big plaza in front of the city hall, and I just yelled a little bit, I remember. And then I biked back, and started working again.
When I first saw the book – I know for many writers it’s a big kick to see the book, to see the cover, and see their work is really in the form of a book – but I guess I had been through that a couple of times with my band’s records. It was nice to see the book, but it wasn’t like ... everyone at the publishing house was like ‘okay, we are going to send the book to you now’ ... and I sort of had to disappoint them, because I was like ‘yeah, that’s great, but can it wait because I’m sort of a bit busy now, if you send the book next week, that’ll be fine’. It wasn’t like I was pretending to be cool about it – it was nice to see the book, but it wasn’t the most important thing to see the physical evidence that I had written a book.
9. What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Two years ago I went to the Philippines and I was in Manila and I was in a big bookstore buying some books there. And when I came to the counter I saw, I think it was THE REDBREAST, it was on the shelves behind the counter, and I was surprised about my books being there in Manila, so I told the woman behind the counter, ‘I wrote that book, it’s my book’; and she said ‘okay, just one moment, I’ll get the manager’, and I said ‘no, no, I just wanted to tell you that I’d written that book’, and she said ‘no, no, I’ll go get the manager’. And she ran off, and I was a bit embarrassed because there was a long queue behind me and they were looking, ‘what’s going on, why is she leaving?’.
But then she came back with the manager, and I was still holding this big pile of books that I was buying. And she says, ‘okay, so you are the writer of this book, can I see some ID please?’, and I said I had left my passport at the hotel so I didn’t have any ID, so she said ‘if you don’t have any evidence that you are the writer then I can’t give you a writer’s discount for the books you’re buying’.
[Craig and Jo both chuckling] I wasn’t saying it to get a discount, I was just wanting to tell you, and maybe you wanted to get the books signed. And then she discusses it with the other woman again and then she turned to me, ‘okay, if you bring ID tomorrow, you can sign one book’. I just took my books and left.
Thank you Jo Nesbø, we really appreciate you taking the time to talk to Crime Watch
-------------------------------------------------------------------------------------------------------------
Have you read any of Jo Nesbø's crime novels? If so, what do you think? What is your favourite thing to do in Oslo? Who could you see playing Jo (or Harry) in a movie? Which is your favourite Nesbø book?
Over the course of the 19 months the series ran, I have had a lot of fun asking the questions of the authors, and seeing how some of the answers compare (eg the favourite detectives, books they loved as a kid), as well as finding out some really intriguing things in relation to fun things to do in authors' hometowns, and the strange or memorable moments from their life on tour, etc.
Hopefully you've enjoyed the series as much as I have. Particularly, as here in 2012 I've decided to resurrect 9mm, and build up the remarkable line-up of crime, mystery, and thriller writers even more. To kickstart things for the new year, here is my recent 9mm interview with Norwegian crime writing superstar Jo Nesbø, who's latest Harry Hole book, PHANTOM, has just been released in English, and who will be touring New Zealand next month (see details here).
9MM: AN INTERVIEW WITH JO NESBO
1. Who is your favourite recurring crime fiction hero/detective?
[Doesn’t read a lot of crime fiction]... I’m more like a one-book reader, I try to sort of find out what the others are doing, but I haven’t got into any series, just a book here and a book there.
2. What was the very first book you remember reading and really loving, and why?
Probably Mark Twain’s Tom Sawyer... even now when I read Mark Twain I can see his storytelling abilities, you get this feeling that you can trust the storyteller, that he has a plan for you, already from the first sentence you can sense that there’s a good story there. I think that the way he brings anticipation to the reader, I think that’s what I look for in any stories – the storyteller that is confident and gives you that feeling of ‘come sit closer, because I have this great story for you’...
3. Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
I was more like a freelance journalist. I didn’t do journalism, I did interviews really, long interviews with people now and then when I had the time. I really enjoyed that, and it was a good school for a writer I think. Apart from that I had been writing mainly lyrics for my band, and I’d written short stories – not to have them published, but just for my own – I enjoy writing. I guess I had a go at a novel once; I didn’t plan to write a novel, but I just started writing something, but I never finished it. So, my first serious attempt at a novel was actually THE BAT MAN [the first Harry Hole novel, not yet translated into English].
4. Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?
Rock climbing... also, playing with my band and my friends used to be a job, but nowadays it feels more like a hobby or, you know, something that I would do for free. So I guess music and rock climbing.
5. What is one thing that visitors to your hometown should do, that isn't a really famous thing in the tourist brochures, or perhaps they wouldn’t initially consider?
In the town of Oslo? Okay, let me think... last summer, I went biking with a couple of friends, we biked for like 15 minutes and then we were in the woods, and there was a small pond there, and we went swimming there, bare naked, you know, four guys. And I live in downtown Oslo, and we’d been biking, literally from my house for I’d say 25 minutes, and we were in a lake – and this is in a capital of Europe – and we were in a lake, swimming. And I just love that about Oslo. One of the guys were, by the way, the Prime Minister of Norway.
6. If your life was a movie, which actor could you see playing you?
Playing me? Oh, ah, let me think. That’s a hard one. You know there’s a betting site, called Unabet, and you can now bet on who is going to play Harry Hole in the forthcoming movie The Snowman, and you know the favourite I think is still Leonardo DiCaprio... and you get like five times your money if he is played by Leonardo DiCaprio, but there is one guy that you should probably put your money on, not because it’s likely that he’s going to play Harry, but it gives you five hundred times the money, and that’s me. So I guess since I am on that list [of potential actors], I will suggest that I will play me.
7. Of your books, which is your favourite, and why?
I think I can answer that, because – and I don’t know whether it’s my favourite either, but it’s my most personal book – and that is probably THE REDBREAST. It was also a book where after the first two books, THE BAT MAN and COCKROACHES, I sort of raised the bar a little bit. It was a very ambitious book, and it is also the book that my father had planned to write, because it’s based on his experiences during World War Two where he fought for the Germans against the Russians outside Leningrad, so it’s so much family history in that book. Also, my mother was also in the resistance movement in Norway, so my mother and my father during the war, they were like 18, 19, so they didn’t know each other at that time, but they were on opposite sides during the war. And a lot of that is in the book – those stories about people making their choices during World War Two, and how it reflects on your life later and at present.
So I think that is my breakthrough ... although I received prizes for my first book, I didn’t reach a broad audience until that book, THE REDBREAST. But most importantly it was a very personal book, where I had all this material that I wanted to use at one time or another, and this was the perfect moment.
8. What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
I was working as a stockbroker at the time, and I was playing with my band... I was at work when they phoned me, and I just went outside, I got on my bike, and I just biked to the big plaza in front of the city hall, and I just yelled a little bit, I remember. And then I biked back, and started working again.
When I first saw the book – I know for many writers it’s a big kick to see the book, to see the cover, and see their work is really in the form of a book – but I guess I had been through that a couple of times with my band’s records. It was nice to see the book, but it wasn’t like ... everyone at the publishing house was like ‘okay, we are going to send the book to you now’ ... and I sort of had to disappoint them, because I was like ‘yeah, that’s great, but can it wait because I’m sort of a bit busy now, if you send the book next week, that’ll be fine’. It wasn’t like I was pretending to be cool about it – it was nice to see the book, but it wasn’t the most important thing to see the physical evidence that I had written a book.
9. What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Two years ago I went to the Philippines and I was in Manila and I was in a big bookstore buying some books there. And when I came to the counter I saw, I think it was THE REDBREAST, it was on the shelves behind the counter, and I was surprised about my books being there in Manila, so I told the woman behind the counter, ‘I wrote that book, it’s my book’; and she said ‘okay, just one moment, I’ll get the manager’, and I said ‘no, no, I just wanted to tell you that I’d written that book’, and she said ‘no, no, I’ll go get the manager’. And she ran off, and I was a bit embarrassed because there was a long queue behind me and they were looking, ‘what’s going on, why is she leaving?’.
But then she came back with the manager, and I was still holding this big pile of books that I was buying. And she says, ‘okay, so you are the writer of this book, can I see some ID please?’, and I said I had left my passport at the hotel so I didn’t have any ID, so she said ‘if you don’t have any evidence that you are the writer then I can’t give you a writer’s discount for the books you’re buying’.
[Craig and Jo both chuckling] I wasn’t saying it to get a discount, I was just wanting to tell you, and maybe you wanted to get the books signed. And then she discusses it with the other woman again and then she turned to me, ‘okay, if you bring ID tomorrow, you can sign one book’. I just took my books and left.
Thank you Jo Nesbø, we really appreciate you taking the time to talk to Crime Watch
-------------------------------------------------------------------------------------------------------------
Have you read any of Jo Nesbø's crime novels? If so, what do you think? What is your favourite thing to do in Oslo? Who could you see playing Jo (or Harry) in a movie? Which is your favourite Nesbø book?
Labels:
9mm interview,
nordic noir
Wednesday, February 8, 2012
More Mina at NZ International Arts Festival
As I shared last year, acclaimed Scottish crime writer Denise Mina (END OF THE WASP SEASON) will be coming to New Zealand next month as part of the New Zealand International Arts Festival. It's great to see the Festival embracing international and local crime fiction so strongly this year.
Previously I've talked about Mina's solo event, and one she is doing with American author Ron Rash on the place of place in writing. Now, I'm very pleased to share that festival attendees will have even more opportunities to see Mina while she is in Wellington - she will be part of four events at the Festival:
Looks like a great line-up of events. Unfortunately I will only be in Wellington for two of them, but I'll be making sure to get along and see Mina in person. What about you? Comments welcome.
Previously I've talked about Mina's solo event, and one she is doing with American author Ron Rash on the place of place in writing. Now, I'm very pleased to share that festival attendees will have even more opportunities to see Mina while she is in Wellington - she will be part of four events at the Festival:
- Saturday 10 March, 2pm - Denise Mina - Tartan Noir, Scottish Crime
- Sunday 11 March, 9.30am - Denise Mina, Ron Rash - Examining Place
- Monday 12 March, 12.30pm - Denise Mina, Fergus Barrowman, Tilly Lloyd - Are we the last real book readers?
- Wednesday 14 March, 3.30pm - Denise Mina, Kelly Link, Robert Shearman - Comics, Fantasy, and Popular Culture
Looks like a great line-up of events. Unfortunately I will only be in Wellington for two of them, but I'll be making sure to get along and see Mina in person. What about you? Comments welcome.
Labels:
events,
scottish crime
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